In 2002, Marvel Comics and the Sci-Fi Channel announced a miniseries adaptation of STRIKEFORCE: MORITURI to be called A THOUSAND DAYS. When Peter Gillis heard about this, he sent Marvel a letter pointing out that he had never signed a contract on the book, so they did not own it and the Sci-Fi Channel deal could not go forward. Marvel responded with an extremely lowball rights offer and a letter saying that Peter ought to accept it, because if he didn’t the project would never happen and he would see nothing at all from the property. Peter held steadfast to his position, at which point Marvel claimed that he HAD signed a contract with them. As “proof” they offered up one of the standard character rights assignments documents that Marvel used to make its freelancers sign back in the ‘80s whenever they wrote an issue of an established title like SPIDERMAN or THE AVENGERS. Peter had signed quite a few of these when he wrote books like CAPTAIN AMERICA and DOCTOR STRANGE. Now someone at Marvel took the signature page from one of those, attached it to a new blank contract, and penciled in “Strikeforce Morituri” where the name of the created villain or supporting character would normally have been typed. The result was pretty laughable (the typeface on the sig page didn’t match that of the rest of the document, for example) and Peter once again insisted that he had never signed his rights away.

If true, this is both hilarious and appalling.

Amidst Yawns

Today is the day when I learn that I can no longer bounce back from exhaustion/drama the way I used to. I remember when I was in my 20s, I could do well on absolutely no sleep whatsoever! This growing old thing sucks.

I’m not entirely clear why reading and toplessness go together, but I can’t help but warm to the evident fun the book group is having in the pairing (check out the pictures on their blog – although possibly not while you’re at work). I emailed founder A Andrews to ask what was behind it all; she told me that “four summers ago, my best friend and I were talking about the law in New York that says women are free to go topless anywhere a man can, and about the fact that no women ever did. It clearly wasn’t because no woman would ever want to – when it’s 90 degrees outside, who wouldn’t rather be bare-chested than suffering under a shirt and bra? But most women didn’t know they had this right, and those who did were often afraid to take advantage of it. So we decided to create a group to combat that ignorance and fear. We made it a book club because we loved books and loved hanging out with other people who loved books. And it’s been going strong ever since.”

What do you mean by that? How was a multicultural aspect “always there” during decades of Spider-Man being white?

When you become the writer of Spider-Man, all of a sudden, every day, every week, every month, someone of color — all different races — comes up to you and tells you, “Spider-Man was my favorite and this is why,” and then I hear a version of this story: “My friends, when I was a kid, wouldn’t let me be Superman, wouldn’t let me be Batman, because of my skin color. But I could always be Spider-Man, and Spider-Man became my favorite. As a little kid, I didn’t even understand why he was my favorite, but it was because anybody could be Spider-Man under that costume, because it was head-to-toe.” That’s not why we created a Spider-Man who’s a person of color, but afterwards, I was like, “Oh man, this was subconsciously why we did it.”

This Brian Bendis Vulture interview really bugs the hell out of me. I mean, I find his whole “we created a new Spider-Man who just happened to be half Black half Latino” explanation to be ridiculous but the idea that people of color connected with Spider-Man because he could be anybody under the mask ridiculous and sad. I was lucky enough to attend a diverse elementary school when I was a kid so I never had to deal with the kind of racism Bendis describes but I was also never under the impression that Spider-Man was anything other than white, because you know, I knew who Spider-Man was.

I think it’s a pretty sad commentary on the mainstream comics industry that people of color identified with Spider-Man because his design allowed for the possibility that he wasn’t just another White guy. Maybe if Luke Cage, Sunfire, Thunderbird, Night Thrasher, Prowler, Vibe, Bishop, Shang Chi, Rage, Simon Baz, White Tiger and so many other non-White characters had defining traits other than Not White and Angry all those poor White and non-White children would’ve felt that they had a place in Marvel and DC’s fictional universes.

(As an aside, contrast the characters listed above with characters created by people of color like the Blue Marvel, the entire Milestone stable and Isiah Bradley. You’ll generally find that the origins don’t involve the hero getting their powers through vaguely criminal circumstances and race is only one facet of the character’s existence as opposed to their sole reason for existing.)

It’s embarrassing that Big Two creators get media attention for presenting somewhat dignified portrayals of non-male, non-White or non-heteronormative characters in 2014 but those creators, most of which are freelancers, do deserve some credit for going against the grain especially when not doing so has no consequences and giving the people exactly what they want can be incredibly lucrative.

On the other hand, Miles Morales, the half Latino half Black Spider-Man created by Brian Bendis and Sara Pichelli, is not a good character.

One major problem is that Miles isn’t an original character; he’s a legacy, inspired by Peter Parker’s example to take up the Spider-Man mantel after the original died. In and of itself, that not a fatal flaw. Though Barry Allen and Hal Jordan were not the first heroes to called the Flash and Green Lantern, they have become so popular they have all but eclipsed their predecessors. Even though Miles has only appeared in comic book form and owners of the Spider-Man movie rights seem determined to keep it that way, there exists a chance, however small that Miles might one day be thought of as the default Spider-Man. But because the character doesn’t seem to have a future in other media and exists in an alternate universe that sits outside the regular Marvel publishing line, it is much more likely that he’ll always be the Black Spider-Man while Peter Parker will remain the real Spider-Man.

Additionally, the character has yet to really stand on his own two feet. Throughout the 28 issue run of Ultimate Comics Spider-Man and its attendant spin-offs, Miles has mostly battled Peter Parker’s old foes and Peter’s friends and family have slowly become Miles’ supporting cast despite having no connection to Miles other than the fact that he’s now Spider-Man. Miles didn’t make his costume like Peter did, it was made for him by Peter’s clone and his best friend makes his web fluid from Peter’s old recipe. Miles is overshadowed by Peter, and frankly, doesn’t have much of a personality or any cultural signifiers to that a Black Latino teenager living in Queens might have. He’s a legacy character who won’t leave one.

The more problematic aspect of Miles’ characterization lies in the ways in which he’s different from Peter Parker. When Miles began to headline the Ultimate Spider-Man series, he had two parents loving parents and an uncle with whom he shared a deep bond. As of the first issue of the new Miles Morales: The Ultimate Spider-Man series, he has none of the above. His uncle was revealed to be a thief who died as the result of trying to force Miles into a life of crime. Miles’ mother was killed by a monster that was created by Peter’s father. And most recently, Miles’ father, a former criminal with the improbable name Jefferson Davis, abandoned his underage son after finding out that he was the new Spider-Man whose actions inadvertently led to his wife and brother’s deaths.

I can’t imagine any child in the world who would want to be a character that mired in misery and Black pathology. This isn’t like Batman where the tragedy is some distant event that character has long since overcome or even like the original Spider-Man where the occasional tragedy reinforces the character’s commitment to acting responsibly, whatever the personal cost. Bad, suspiciously stereotypical shit just happens to Miles.

I don’t blame Marvel Comics for creating a weak character, I blame myself for supporting a company that presents itself a bastion of diversity while it largely employes only White straight men. I don’t blame Brian Bendis, I blame myself for believing that someone outside my culture would depict it with any sort nuance or consideration. But I am annoyed that they receive praise for creating a character that could barely be described as being better than nothing. 

(via apkr)

So worth reading.

“They reached out to me personally and asked if they could republish the piece,” Fortgang explained via email. TIME.com then replaced Fortgang’s title, Checking My Privilege: Character as the Basis of Privilege, with the decidedly clickier Why I’ll Never Apologize for my White Male Privilege. “They didn’t tell me they’d change the title of the piece, which I think drastically changed the mentality people had about how they were going to approach reading it before they even started,” Fortgang added.

Ukip has selected former Tory Roger Helmer as parliamentary candidate to fight the Newark byelection, despite him arguing date rape victims can bear some responsibility for being assaulted, coming out in favour of the death penalty and comparing gay marriage to allowing incest.

On a related “WTF, UKIP” note.

According to the story, he “aired controversial views on other subjects, including questioning the existence of homophobia, suggesting that some people find same-sex relationships ‘distasteful if not viscerally repugnant’ and arguing that there are ‘different degrees of culpability’ in rape cases.”

Ukip has been accused of hypocrisy and double standards for paying Eastern Europeans to distribute their election leaflets, despite those leaflets warning that immigrants from the EU pose a threat to British jobs.

Andrew Spalis, partner at the door-to-door distribution firm Fast Leaflet, told the Huffington Post UK that his firm has been carrying out work for Ukip and that many of its employees are from Latvia, as well as other parts of Eastern Europe.

See, this would be funny if it wasn’t for the fact that the UK Independence Party is becoming a legitimate power in the United Kingdom these days (Well, in England for the most part, but you know what I mean).