Listen to the Band

One of the things my therapist talked about early on in our sessions — and something that I didn’t quite get for awhile — was how things felt. I thought she was talking about emotions, because this was therapy and surely that’s what you talk about in therapy, but no; she was talking about how things felt physically. She’d ask me how my body felt after particularly stressful or emotional moments, and I’d offer some variation on, I don’t know, I wasn’t really paying attention, and she’d come back with her own variation on, well, can you start because that would really be helpful, thank you.

All of this is prelude to telling you that I can tell when I’m stressed these days because my lower back aches.

I think this is one of those things that I’ve actually known before I knew it, if that makes sense; I’d noticed over the past couple years that the first day of any given convention will end with me in the hotel room feeling a sudden pain in my lower back that temporarily makes me think, oh fuck, it’s finally happened, I’ve thrown my back out until it subsides and I blame it on walking around all day with my laptop in a bag. (This, for some reason, always seems to happen when I’m standing up after writing for awhile, hunched over the computer, and suddenly realize I’m hungry and should do something about that.) The laptop isn’t to blame; my age isn’t, really, either. It’s that I’m inevitably more stressed than I’d admit at the time.

I’ve come to notice the warning signs, and realize the lower back is one of two places I hold all my stress. (My left shoulder is the other; why the left and not the right? Would that I had an answer.) It’s like realizing that when I feel sad, I can feel it in the back of my neck and as a headache before the emotion makes its way to the bit of my brain that can name things. Or noticing that I feel happiness in the back of my head first. (Nope, I can’t explain that; don’t ask me to.)

Other people’s bodies, according to pop songs, are wonderlands. Much to the doubtless satisfaction of my therapist, I’ve finally realized that mine is just early warning signs.

Saving Some in The Fuck Pocket

I think everyone is at least familiar with the concept of having run out of fucks to give, right? It’s internet shorthand for all bets being off, for nothing holding anyone back, and the idea of someone being freed from whatever constraints they’re normally under, whether societal or otherwise. We’ve all thought, at one point or another, that it would be wonderful to have no fucks left to give, or complained whenever we’re feeling pushed to some imaginary limit that we’re getting close to that point.

Or, at least, that’s what I used to think it meant.

For a multitude of reasons — none of which were inherently bad, I hasten to point out — I found myself utterly exhausted by the time Friday rolled around last week. I was feeling a little bit sick, but also run down by a work week that was particularly heavy (and also my first full five-days-of-regular-work since the start of the month, thanks to New York Comic Con); there were also visiting family members, which was at once a welcome thing and another reason why I just felt “on” continually from waking up until going to bed all week… and then I got to Friday, and I realized that I genuinely had no fucks left to give.

But I don’t mean that in any angry or even energized manner. I mean it very literally; I was so tired that I struggled to care about anything I was doing, whether it was for work or for myself. Everything felt particularly flat and rote, as if I was going through the motions before I could make it into bed and collapse to re-energize myself a little bit. It’s not that good things didn’t happen on that day, because they did, it’s that I looked at them as if through a microscope: that’s good, I thought to myself very calmly and dispassionately. I should remember to be excited about that later. I was simply too run down to do anything else.

If there was one upside to this unfortunately thin day, it was that my head started making plans for what to do when whatever could be described as my mojo was suitably regained, thinking of ways to be indulgent and comforting in the face of the cold, wet weather and the lack of sun in the sky for the next few days. It was entirely unintentional, but instinctive, as if my subconscious was declaring, this behavior cannot stand. We’ll come up with a way to safeguard against it in future, if we can.

All things considered, I’d rather have had a few fucks left in my back pocket, though. Just to see me through.

The City That Never Speaks

Traditionally, in the aftermath of a New York Comic Con, I find myself wandering the streets of the city without purpose, enjoying the anonymity — no-one is going to ask for my help! — and the New York-ness of it all; in 2024, I wandered the streets for hours, listening to music and feeling at one with everything in an indefinable, utterly necessary manner. (It helped that I’d had such a bad few days prior that just not speaking and exercising alone felt really good, to be honest.) This year, that wasn’t really an option — while I had the time, I didn’t have either the raincoat or the umbrella.

Instead, I ran between awnings and storefronts and tried not to get too wet on my way to, and then returning from, brunch with a friend. And in the process, I has this strange, my-mind-is-clearly-overworked-and-going-places, thought that appeared unbidden in the forefront of my head: I think the city is trying to talk to me.

What had actually happened was that I’d noticed just how ubiquitous language is in Manhattan. There are signs everywhere: storefronts, ads, building names, fliers, graffiti. Everywhere you look in the city, there’s writing and it’s all colorful and eyecatching and ever-present, this cacophony of words that’s at war with each other: buy these bananas and STOP and this mobile plan is better than yours and by the way have you seen how cheap these burgers are. As I was ducking in and out of small places of shelter, the idea of, “what if there’s actually a hidden connective thread in all of this that I’m not seeing?” popped into my mind.

There isn’t, of course; it’s a strange science fiction idea that I’m sure has appeared in something I’ve watched or read — Danny the Street in Grant Morrison’s Doom Patrol but wihout the letters re-arranging to make coherent sentences — but for a brief second, an eyeblink, the possibility was in my head like the briefest of glimpses into another world where things are just that little bit more interesting.

Have To Be

I’m very bad at letting go of things, once I’ve set my mind to them. For all that I can be indecisive in the moment (read: “for all that I am indecisive,” but I’m being kind to myself and downplaying it), once I actually manage to make up my mind on a course of action, there’s a fair chance that I’m going to become more attached to that decision than I mean to, and find myself holding onto that choice no matter what lies ahead. I don’t mean to be like this, and in fact, I try not to be — change is good, I tell myself, and I mostly believe it — but, nonetheless, there it is: this is who I am, or at least can be, more often than not.

I say thing as someone who had a moment of realization the other week coming from a reality TV show. If I was a more intelligent man, or at least a more egotistical one, I’d feel embarrassed about the source of this epiphany, but fuck it. I was watching Netflix’s Next Gen Chef, which is essentially What If Top Chef, But They Were A Little Younger And With Less Impressive Resumes? It’s a fun enough show, and I’m a sucker for this kind of thing, but it wasn’t something I went into hoping for any kind of particular self-reflection, or a moment that I’d still be thinking about weeks later.

The gimmick for the show is, it’s a cooking competition that takes place inside the Culinary Institute of America, and the CIA teachers act as mentors for the contestants throughout the show. A slight change from the traditional format, but a useful one; the mentors get to help out, act as sounding boards in moments of uncertainty and, for the viewer, explain things and offer sarcasm when it’s called for.

So, the show hits that traditional cooking show moment that every season gets to at least once a season: a chef is trying to make a particular meal and it all goes to shit. An ingredient fails, and the chef starts spiraling because everything is ruined and they don’t know what to do. Except, in this case, the mentor shows up and asks what’s happened and, after being filled in, asks the most obvious question: Does it have to be that dish?I

It really is such a straightforward question, and such an unsurprising thought — you’re trying this thing and it’s not working out, so try something else — but what stuck with me was the question itself, more than the idea of “start over.” Does it have to be the thing that you’ve been focusing on? Why don’t you look at what you’ve got that works and think about what else can be done with it? What might even be better, all things considered?

That’s what I’ve started asking myself when I can feel myself getting fixated on a particular idea or a particular feeling about how something is “supposed” to happen. Does it have to be that way? Sometimes the answer is yes; sometimes, it’s “it doesn’t have to, but I’d still like it to be,” and that’s fine too. What matters more is the asking, and the forgiveness and grace implied in being willing to say no and change everything without giving myself a hard time.

It’s a small step, and one that I suspect other people make without any kind of self-reflection at all; but it’s a nice change for me.

The Sounds of 2025: The Walk To The Show Edition

It struck me, admittedly too long after the fact, that the music I was listening to as I walked to the Javits Center each day of this year’s New York Comic Con was a surprisingly good read on where my mood was for each of those days. I was, to put it politely, low key terrified about how this year’s show would go purely because last year’s NYCC was a very stressful affair for me on any number of levels; even the prospect that this year’s could have compared was enough to leave me pre-emptively exhausted and upset even before I set foot in New York again.

(It was not that bad; in fact, as I told someone Sunday night with no small amount of surprise, I actually think it went well, which… I didn’t see coming…?)

Anyway – the playlists of my (short) walk to the convention center each of the mornings of the show:

Wednesday

Day one — technically, day zero, because it’s an industry-only day that is open only to comic professionals while much of the show is still being constructed elsewhere — and this song felt as much like psychic protection as statement of intent: “Getting used to say no is cunty” and “Setting boundaries is cunty” is the kind of message that my subconscious was probably screaming listen to this before you end up with a full day, none of which is your actual work. Feel the stress at play!

Thursday

Again, the stress is in play, and what better sums up the lowkey mania of expecting to walk into a day of chaos (it was, to no small degree) than a rowdy quasi-punk song that has a bunch of people shouting “Keeping the dream/keeping the dream/keeping the dream alive!” over and over again? (I did think, as I was listening to this, that there’s no small amount of irony to me listening to that chant as I was walking into a show based around fandom where the dream is all encompassing.)

Friday

Like I said, Thursday was a pretty rough day for behind the scenes reasons, and I went into the show Friday aware that I needed to psych myself up. Enter, then, De La Soul demanding that I rock it like rocket fuel. I adore this song and very particularly chose it in an attempt to get myself in the fightin’ mood for everything that may have laid ahead. It worked, as far as attempts to get myself in the mood go — but as things worked out, Friday was nowhere near as bad as I’d feared anyway. Maybe DJ Shadow et al worked magic I didn’t even see coming.

Saturday

No prep music on Saturday; I had breakfast and walked to the show with a friend. (I can’t even imagine what I would have listened to, had the option been available.)

Sunday

It was at this point where I knew, oddly, that things were going to be okay and I was perhaps even having a good show. By which I mean, I was maybe a minute into this song and I could feel myself relax and I thought, oh wait, things are better, aren’t they? This song is a piece of magic for me, something that lets me know that there are good things out there and joy and happiness in the world. From 31 seconds in through, maybe, the 1:44 mark, it’s literally perfection for me and, again, I chose this song without thinking and it felt as if it was a sign from my subconscious that everything was going well and I could exhale and breathe normally again.

Flavor Profiles

I was eating toast, of all things, when I was struck by a very particular sense memory. Specifically, the toast I was eating suddenly tasted like the toasted rolls I had when I was a kid back in Scotland, and I was 12 years old again and eating the rolls in the kitchen of the house I grew up in. The sensation of eating childhood food again — even though I wasn’t, or at least, not exactly — sent my brain tumbling down a particular staircase that ended up with me suddenly realizing that there are all manner of flavors I’ll never taste ever again in my life.

When I was a kid, I had very specific favorite foods; it wasn’t just that I liked a particular dish, but I liked a particular dish as made at a particular restaurant or made by a particular person. I’m not sure if this was a latent super-taster tendency that dropped off later in life or simply being a particularly picky kid, but there were things that I loved that I knew very clearly that I would love even more so if came from one specific source. (I say “restaurant,” but I was a kid in Scotland; really, I mean “takeout place.” It’s where we all went; don’t judge. There is barely any Scottish cuisine if you remove the fish and chip shops, dammit.)

I remember with the utter certainty of a surly teenager that I loved shell pies but I particularly loved the ones from a local Italian takeaway. Was it really that different, or was I just oddly particular? I couldn’t tell you, looking back, although they probably used a different fat or flavoring to make it taste slightly different in a way that I preferred; the restaurant has changed hands — and maybe closed, then re-opened, if I remember correctly? — in the literal decades since I left the country, and the odds that I’d ever be able to eat that particular shell pie again are catastrophically slim.

Same with the frozen potato Alphabites — literally, fries but in the shapes of letters — that I loved so much, same with the slice sausage sandwiches my parents made, same with so many other foods that were favorites and so central to the hellscape that was my diet back in the day. All these foods that were comfort foods, things that could make my day better in almost any circumstance at the time. They’re all gone forever.

That’s probably a good thing; I can imagine revisiting some of them now and going, oh, this is terrible and then being embarrassed that I’d ever loved it so much in the first place. And yet, I find myself mourning those flavors more than a little. They did me a lot of good, way back when.

You Say I’m Puttin’ You On

As I write this, it’s a week earlier and I’m still days away from flying to New York for NYCC 2025. Nonetheless, it’s happened; the same thing that happens every year around this time: my body decides that sleep is for the weak.

I think what actually is happening is that I’m beginning to get stressed enough about the trip — or, really, the workload that’s waiting for me during the trip; the travel itself is neither here nor there, given how little of New York I’ll get to see that isn’t my hotel or the convention center — that I’m tense enough that something in me can’t last more than six hours a night before waking up. It’s been every night for the last week — I make it about six hours of sleep, no matter when I fall asleep, and then I’m awake. Maybe I’ll get six and a half if I’m really tired, but that’s it. It’s time to wake up.

What happens when I wake up is that I make small, ridiculous deals with myself: I won’t actually do anything about being awake before 5am, because then I’m at least trying to go back to sleep, as unsuccessful as it may be. (It’ll be unsuccessful.) I can read in bed, but anything else would be giving in to the fact that I’m awake, so I hold off. (That said, I’m writing this at 5:30.) I refuse to actually get up until 7am. All of these little things to fight the fact that, for a week or so, sleep is an even more temporary than usual refuge from everything that’s going on around me.

It’ll get worse during the trip, because my sleep always suffers during convention trips. There was one Seattle trip — Seattle! No time zone weirdness at all! — where I didn’t sleep past 4am for the entire thing, and then just had to push through based on sheer will and stubborness, just because I was on the entire time, workwise. If I’m lucky, I might be so tired because of this current bout of sleeplessness that I’ll collapse the first night, absolutely exhausted and reset the whole thing.

Yes, my definition of “luck” shifts when I’m on a work trip, why do you ask?