366 Songs 002: I Bet That You Look Good On The Dancefloor

Listening to the Pop Culture Happy Hour podcast the other day, someone called Adele’s “Someone Like You” a new standard, and said something along the lines of “that’s the rarest of things in music, how often does a new standard come about?” Hearing that, I immediately thought of this song, which might not be a standard, but feels like it’s something that immediately became part of the musical landscape in a way that most songs can only dream of.

I’ve not really kept up with the Arctic Monkeys past their second album – One of the things I most miss about the U.K. is the way that you can keep up on what’s happening in pop music so easily, in a way that you really can’t do in the U.S. – but that debut, Whatever People Say I Am, That’s What I’m Not, was one of those undeniable albums that made you stop what you were doing and pay attention, and this song is one of the standout tracks, filled with energy and Alex Turner’s hilarious, ambivalent, lyrics (“I wish you’d stop ignoring me, because it’s sending me to despair/Without a sound, yeah, you’re calling me, and I don’t think it’s very fair”) that feel true to anyone who’s ever crushed on someone at a club. It’s a “Teenage Kicks” for today’s generation (Yesterday’s generation? It’s seven years old now, after all), a song about being young and everything that means that’s compelling and honest and filled with life.

Of course, everyone attempted cover versions, it feels like, with varying levels of success:

My favorite version was the Sugababes, those manipulated, eminently replaceble pop princesses who refashion the spikey guitar pop into something more mainstream and almost make it sound like their version is a response to the original:

Clearly, there’s a mash-up and/or Glee-style cover version mixing the two waiting to happen there. This might not really be a “standard” – Do standards have to be more timeless and ageless, working no matter who sings it and where they are in their lives? Probably – but it should be, I think. Maybe we should start a list of alternative standards somewhere, songs that should live forever and belong to everyone.

 

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