The World That's Coming

January 6, 2012 366 Songs ,

366 Songs 006: Get Duffy

The soundtrack to a lot of my final years in art school, and the beginning of my explorations into music that was weirder and a lot more out there than the Britpop I’d been listening to while growing up past what was considered to be growing up, Primal Scream’s Vanishing Point was one of those albums that was scattered and a mess in the good way, a mix of multiple influences that doesn’t necessarily hang together in the most coherent way, but nonetheless works, somehow (The album that followed it, XTMNTR, is far more cohesive, but I’m tempted to say not something that’s aged as well as Vanishing Point. YMMV, as the saying goes). Of the various songs on the album, “Get Duffy” was probably the one that stuck in my head in a way that I didn’t expect, pulling all manner of late ’60s/early ’70s sounds – There’s Lalo Schifrin in here, some Sun Ra, some free jazz that I can’t recognize – into something that sounds like it should’ve been played over the opening titles of a movie that would’ve featured washed-out colors and men driving around rainy streets at night.

Most (not all, I don’t think? It’s been awhile since I’ve listened to the album, and I can’t remember) of Vanishing Point was remixed into dub versions for the Echo Dek spin-off album, and while in most cases that just meant lazily turning up the echo and changing the drums, “Get Duffy” – named, by the way, for Martin Duffy, the band’s keyboard player, became “Duffed Up,” which you can easily imagine being the b-side of “Get Duffy” in some imaginary world where that had turned out to be a hit single. The saxes in “Duffed Up” are just amazing:

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