This Is What Exhausted Creativity Looks Like

Another set of graphics for the THR newsletter; the first three were created at the end of a very long day at New York Comic Con, when I was utterly done and yet had these to do before sleep. I was quasi delirious (I’d worked for about 18 hours by that point, with breaks for eating and con socializing, which to be honest, I count as working), and pretty aggressively just wanted these to be done. Yet, looking back at them, I kind of like them…? Maybe exhaustion is the key to creativity or something.

There was an alternate version of this one made with a different headline…

…but neither one got used on the intended date. (They’ll maybe show up at some point; it was for a story about Catwoman casting in the new Batman movie that never ended up in the newsletter.)

Spins A Web, Any Size

Normally, these posts are a couple of weeks’ worth of newsletter graphics per post. This time, it’s just one week because I was unusually asked to do six at once. (Well, technically, six for one newsletter; I did them in three batches of three, one, and two images, respectively, across two days.)

Of note is the Spider-Man one, which I’m particularly happy about because it meant that I got my own Spider-Man drawing — yes, I did that one — out in public. I don’t know quite why that feels like such a big deal, yet it somehow does…

Signs and Wonders

It’s that time again. As you read this, I’m in New York for New York Comic Con, but that doesn’t mean that the graphic magic stops for THR’s newsletter. Take a look, enjoy, and think of me in Metropolis…

The above was a last minute redo of this one, which just felt off to me.

I’ve Got No Mind To Worry

It’s been awhile since I posted any drawings, hasn’t it? The truth of the matter is, I haven’t even been doing quick sketches on the iPad in awhile for no real reason beyond, “I just haven’t,” but that drought ended the other week. Here are three lazy Sunday afternoon drawings.

I Can’t Walk Out, Because I Love You Too Much Baby

One of the strange things about posting these graphics up here is, sometimes I post graphics that we ended up not using for one reason or another; maybe stories didn’t run, maybe they ran outside of the newsletter and so didn’t need the graphic, or whatever. If I had any sense, I just wouldn’t run the graphics, but normally there’s such a gap between doing the graphics and me posting them that I simply don’t remember what we ran and what we didn’t. This time, I know for sure we didn’t run the Adam Brody graphic but, fuck it; I really like it, so it’s here.

Two variant versions of this one. I went with the top, but I’m not sure I made the right choice.

Take You Uptown, I’ll Show You The Sights

Normally, we do, I think, three graphics a week for the Heat Vision newsletter, and normally we do them on Thursday afternoons. For the two weeks contained below, it was Friday morning for various reasons, and the second of the weeks had five graphics needed pretty much immediately while I also had to take a work call for someone else and hadn’t slept properly because of faulty smoke alarms going off since 4am. Despite that, I had fun. There might be something wrong with me.

The View From My Bed, San Diego Comic-Con Design Edition

When I found out that we were doing a Heat Vision newsletter from Comic-Con, I’ll admit that my heart sank a little. Not because I didn’t think it was a good idea — in fact, sending it on the last day of the show, even though it would probably go out when all of us had already left (I’m pretty sure I’m the last one to leave San Diego every year, from the THR team; everyone else just jumps on a train in the morning), seemed like a great way to cap off five days of coverage. Instead, I just had visions of me doing graphics in the press room just before deadline, stressed.

Nope; I did them at 6am in my bed at the hotel, because I woke up stupidly early, as it turned out. And they looked like this:

Just Sitting Where The Rainbow’s Ending

An utterly random thing, but the THR newsletter took a week off for the July 4 weekend, which meant that I didn’t do graphics for a week. I found that I missed it, as strange as that is to admit. When the following week rolled around, I had this moment of excitement of Yes, finally, it’s been forever. Because, apparently, “forever” is defined as “two weeks” in my head these days…

If You Could See What I Can See, Feel What I Feel

I could never have made it as a graphic designer, despite my schooling — I’m simply not good enough, and my brain doesn’t work in those shapes anymore — but nonetheless, I can’t tell you how much I love doing the graphics for the THR newsletter every week. It’s a break from my usual work norm, and a strange puzzle that I enjoy solving every seven days. Here are some more recent solutions.