“What Is Going to Happen, Seeds of Change”

There are songs that are connected, forever, with particular moments and particular emotions; “Seeds,” from Camille’s most recent album (as I write this), is one of these for me. It helps, I guess, that I listened to this song on repeat at the particular time I recall with such clarity whenever I hear this — but there was something about the lines (and the delivery thereof) “How can you serve them?/How can you spoil them?/How can you trade them? How can you grow?” that made me feel as if I couldn’t breathe and needed to cry at the time.

I remember wandering the streets, walking back to where I was staying at the time, feeling at once disconnected from everything I thought about myself and what I wanted out of life — really intense, emotional existential crisis stuff that I’d been ignoring for years — and the sun was setting and I was just listening to this again and again and again. It had come on randomly, and I’d be lying if I said that I’d paid too much attention to the song or even the album it had come from before that. But at that point, it felt as if she was singing directly to me with a code I couldn’t break but could tell was important.

The strength of the memory to me is surprising, synaesthetic. I can remember my legs aching, the hunger in my belly at the time; I can feel the feeling I had at the time as I struggled with the everything in my head and what it might mean for me in the long run. All of that plays in me again when I hear this song, each time, with the verse feeling as if the tension is growing, just constantly ratcheting up until the glorious release of that chorus, the way her voice breaks free of everything being restrictive in what came before.  Each and every time I hear this song, there’s such a beautiful, freeing sense of escape to be found in it. In multiple ways.

366 Songs 324: Le Festin

I’ve written before about my love for Camille, and this song – written by Michael Giacchino for the soundtrack of the Pixar movie Ratatouille – is a wonderful example of what she brings to the table as a singer without all her spectacular songwriting quirks. Just listen to the way she swings from note to note, fearless as she swoops up and down the song with such pleasure and enjoyment that it’s infectious. As nice as the song itself is, with a fun arrangement that allows for an accordion solo that doesn’t sound as cliched as it really should, considering the Parisian tone they’re going for, Camille’s voice is the star of this particular show, bringing it to life in a way that other singers wouldn’t even have the first clue how to manage. How can you hear this and not smile…?

366 Songs 256: Au Port

Continuing my history with Camille, this was the second song of her’s I discovered. It took just a couple of minutes Googling and comes from the same album as “Ta Douleur,” Le Fil – “the thread,” which in the album’s case is the vocal tone that continues throughout each song. It’s similar enough to see a connection with “Ta Douleur,” but different enough to continue to compel; chattier, more nervous and then flowering at the end into an operatic performance that feels like it came out of nowhere and provides an amazing, hilarious finale to the whole thing.

The version I actually heard first was a live one, with Camille and band performing the whole thing as performance art on Later with Jools Holland; there was something about watching the performance as a whole that left me smiling, curious and knowing that I had to buy the album, and discover more.

366 Songs 255: Ta Douleur

I can still remember hearing this song for the first time, years ago, the first time I’d heard anything by Camille; the sense of discovery, of creativity unrestrained by good taste (The various vomiting noises as the song really kicks in), of having no idea what was being said, and just of falling in love with the noise of it all. I was smitten immediately by the way it sounded so unlike everything else I was listening to at the time, and so complete in and of itself. There were worlds within this song, an identity coherent and personal, and I had to know more. Can you blame me?

366 Songs 023: Gospel With No Lord


Even if “Gossip With No Lord” wasn’t a catchy song that makes you want to (a) shake your ass, (b) sing along or (c) smile wryly (delete as applicable), there are two parts of it that always, without fail, catch my ear and make me love the song for its slyness and self-awareness. Both parts are essentially variations on the same joke – failing to live up to the listener’s expectation of what’s coming next, in such a way that manages to make said expectations seem ridiculous and comedic – but there’s a glee and joy in the subversion as Camille does it that feels infectious and unrehearsed no matter how many times you listen to it, nonetheless. For a song that celebrates people, as opposed to higher powers that may or may not exist depending on your viewpoint, there’s something wonderfully fitting about that, I think.