Sisyphus in the Back Yard

It never fails. Each year, when the weather starts getting just a little bit nicer, the thought occurs to me: I need to get out in the yard and clean it up; it’ll be good for the yard, and it’ll be good for me, to not be sitting at my desk the entire day, every day. The very idea of yard work — or even, basically, the idea of moving and lifting things and being active feels both exciting and necessary.

And then, after my first attempt every single year, I remember: I am a weakling who sits at his desk the entire day, every day, and I can manage maybe an hour, two tops, of active yard work before I want to take a break for the rest of the day. It doesn’t matter what I’m doing, almost; I could be uprooting trees, weeding, or waving the weed wacker around like there’s no tomorrow; after an hour or two, I feel like I need a sitdown and preferably one that’ll last quite some time, if given the opportunity.

It’s a reminder of how inactive I am for the majority of my time, and underscores the mild guilt I feel that I don’t follow through on my multiple promises to myself to head back to the gym, or even just go outside on more walks. (To be fair; that’s far easier in the summer, when the weather is less determined to make you close the windows and not even look outside without shivering.) For all that I might think that I’m in relatively good condition, considering, that’s a thought that comes from the same place that believes that I still have the same body that I did 10 years ago, which is also the same place that suggests that maybe a doughnut isn’t the worst idea because I probably deserve a treat.

Despite this, despite the experience every year, I still try when the weather gets better. I still think for a brief moment, maybe this is my time to properly get active, this will be a good start, and I still put in the effort for those one or two hours before I collapse in sweat and regret. While the best ending to this story would be remembering to actually rejoin the gym and start working out again, I think that the fact that I try every single year is a decent runner-up, at least in the short term. When I get too jaded and achey to even think I’m capable, that’s when I should really start worrying.

I Remember Palitoy

It feels like a very specific way to identify my age — one of those tell me you’re in your 50s without telling me you’re in your 50s memes that randomly appear in your social media feeds if you don’t prune them enough — to admit that I can remember when Star Wars wasn’t just uncool, but something that was basically forgotten about my pop culture as a whole.

That feels like a near-impossibility for the last… what… 27 years? Something like that? Ever since the prequel trilogy started, it feels as if there’s been a sincere attempt on behalf of multiple companies to make sure that we not only remember that Star Wars exists, but that we think of it as a living, breathing piece of mythology as opposed to, you know, a franchise that is allowed to fall out of favor every now and then. It’s been pretty continuously on movie screens or television screens or whatever you stream to in all of that time, never mind all the books and comics and video games and toys and whatnot that comes along with all of that.

It’s weird to think about that, in a way. I mean, in a sense, it’s really not, because that’s the seeming ambition of every franchise along the way and has been since… well, pretty much Star Wars first came out in 1977. But when I stop to think about the sheer barrage of Star Wars in the past three decades, it strikes me that it pretty much matches the volume of merch and everything that surrounded that original trilogy when the movies were, you know, actually phenomenons. Now, they’re just there, seemingly omnipresent and everything that accompanies them just exists because that’s what we expect now, I guess.

It really does sound almost impossible, in that context, to recall a time when Star Wars was this weird shared secret nerds shared: references that not everyone would get, but when they did, it was a sign that they got it, they were like you in some magical, dumb way. I’m talking… the late ’80s, very early ’90s, I guess? When the generation who were 5 or so when the movies were coming out had grown up somewhat and would see old merch in charity shops and get excited by how much it reminded us of more innocent, more imaginative times. I miss that more simple nostalgia, I admit.

Anyway, happy Mandalorian and Grogu release, I guess.

You Know I Would If Only I Could

One of the surreal things about being sick for three days and, more importantly, letting myself be sick for those three days — by which I mean, not trying to just keep my head down and pretend that everything is normal even though it’s clearly untrue, as I have developed the unfortunate tendency to do, because being a workaholic is a bad thing — was coming back to everything afterwards and seeing just how many fucking emails had accumulated in my absence. We’re talking hundreds, easily.

It goes without saying, I suspect, that the vast majority of them weren’t something I necessarily needed nor wanted to read. It’s a weird fluke of my job that I get added to so many mailing lists and promotional mailings in addition to things that I might, at some point, have intentionally signed on for only to forget doing so, that I get upwards of 10 emails per hour during daylight hours as a baseline; that I’ve got work email and personal email addresses also means that I get a lot of these mailings and promo emails multiple times even before they get sent to the same address multiple times — occasionally, with “FWD” or “RE” added to the subject line, in case either tricks me into opening them — just to complicate matters.

I think, sometimes, about the first time I got internet access, back when I was in art school and they set one up for each of the students. It was a nearly-impossible-to-remember address, based around our student metriculation numbers, so it’s not like we’d have been able to easily share it with anyone even if we knew anyone else besides friends we saw everyday anyway with emails of their own. Nonetheless, we’d check our email inboxes every day, once a day or so, sitting there through the soundtrack of dial-up internet — we had to log-in and dial-up each session as individual students — and then the slow load of Outlook or whatever we were using at the time.

Each time, we’d wait however long it took, excited and expectant that something would have happened, that some message would be waiting there. And each time, we’d be wrong. What a world, to go from that to a day where I delete more than three hundred messages without a thought, confident that none of them were written by people who are even fully aware of who I actually am.

That’s The Way It Is Here, It’s Always The Same

I have a bag of old family photos, and I genuinely don’t remember where they came from. When I say “a bag,” I mean it — it’s a plastic bag that looks like it’s seen better days, and everything in it is loose and looking as if it was just stuffed in there with no rhyme or reason. The contents are a mix of photos from around 90 years ago through, maybe, the turn of the century…? No, wait, a few just after I moved to the United States, so that would be the early 2000s. It’s a heady, quietly awe-inspiring thing to thumb through, seeing the sweep of time go back and forth as I pick through each picture: here’s my grandmother when she was younger than me, getting married; there’s my dad as a baby, so it must be 1941; now my dad is getting married and he looks like a teenager; there’s my sister as a baby; there’s me; and so on.

I don’t often leaf through the bag, because… well, who has time to do that, usually? But an upcoming family occasion had people asking if I had particular photos, so I found the bag and looked through it and realized that I’d utterly forgotten that it isn’t just filled with photos, but all kinds of correspondence and paperwork that clearly belonged to my grandmother at some point. There are telegrams from her husband when he was in the service for World War II, as well as a letter from the government that he’d been killed in action, and a letter from Buckingham Palace sending condolences. Birth certificates from multiple generations of my family on my dad’s side. A whole history of paperwork that I’d entirely forgotten existed, all in this shitty old plastic bag.

It struck me, after going through the bag, that I suddenly wanted to print everything in the world out and put it in bags and boxes and leave it there for people to find years later. I have files and PDFs and JPGs and everything on laptops and devices and CDRs and in the cloud and and and, sure, but it feels like all of those things have a barrier to entry that this bag just doesn’t. Like these days, we’re hiding everything away, but history is just right there in that bag to be discovered.

The Who’s Version Of The Theme Was Great

I read something recently that made an argument that, for all intents and purposes, my generation was the first proper Gamer Generation, and it once again made me doubt my nerd credentials; while I have surprisingly fond memories of borrowing a friend’s Sega Mega Drive* so I could play the original Sonic the Hedgehog, I couldn’t really make any claim that I was a gamer at that point, or any point afterwards. I don’t have whatever that particular gene is, no matter how hard I try. (And I have, occasionally, tried.)

The thing is, I used to, before then. In the mid-1980s, I spent a considerable amount of time with my Amstrad CPC 464, the awkward home computer that had a tape deck attached for ease of loading in any number of ill-produced games such as Oh Mummy (Pac-Man, by any other name, except the ghosts were Egyptian Mummies) or Biggles, based on the deservedly-forgotten time-travel movie flop of 1986. At that very specific juncture of my life, I was a gamer, and an avid one, at that; spending hours playing the lo-fi games on my particularly lo-fi computer and buying the magazines that offered reviews and cheats and whatever passed for news at the time of what was to come. (Amstrad Action and Amtix, you were oddly important to me at some point.)

In what was a strange glimpse of a world that lay in wait for me, I remember that the last Amstrad game I got truly obsessed with was 1986’s Batman, a video game produced by Ocean Software that I can remember with unusual specificity. Or, rather, I remember the cover artwork and print ads for it, and the feeling when it came out that it was a weirdly retro piece of pop culture to be basing a game around: Batman, in 1986, was already getting a very serious, very cultured makeover in comic books like The Dark Knight Returns and Batman: Year One, but that hadn’t reached me just yet. Instead, Batman was re-runs of the 1960s TV show and half-remembered comics from my (even younger) youth, and this game: an oddity based on something I thought no-one really cared that much about.

But I loved the game, as frustrating and non-sensical as it was; I spent hours playing it and failing to get anywhere close to the end despite all the cheat sheets, and I didn’t care. I was so excited by how odd it seemed, how much it felt like it was something that was mine in its design and hyperfocus and the 8-bit remake of the TV show theme and that cover artwork, which I stared at for far too long. It wasn’t a particularly good game — in writing this, I discovered that someone remade it for the internet, so I’m about to find out just how not-good is really was all over again — but it was my game, and the closest I ever got to being a gamer, per se.

It was all downhill from there.

The Rhythm of the Body

The point where I realized I was properly sick was early on Saturday morning when it dawned on me that I didn’t have a headache, as such — instead, it was that I could specifically feel an ache in different parts of my skull: my cheekbones were sore, for example, as were my teeth. The back of my skull, where it met my spine.

The thing is, that wasn’t a particularly new sensation for me; as soon as I realized that’s what it felt like, I also realized that the odd specificity of pain actually wasn’t that odd for me — or, perhaps, not that unusual. That’s what it feels like for me when I get really sick, and it’s the sign that I’m not just feeling rundown or a little “under the weather,” or anything similar. It’s when I can separate a dull general ache into multiple simultaneous pains (that are usually accompanied by something else happening elsewhere in my body; this past weekend, a dizziness and general foggy-headedness that wouldn’t shift, and a scratchy throat) that I know that I’m in trouble.

And, sure enough, this past weekend, I was in trouble. I ended up laid out in bed entirely on Saturday and most of Sunday, and then taking Monday off as well because I wasn’t back up to fighting speed just yet. I felt betrayed by my body, or whatever sickness was invading it: it’s not uncommon, sadly, for me to keep it together when I’m not feeling great during the workweek, only to fall sick on the weekend, but to so entirely lose track of my entire time off to the point where I couldn’t get out of bed at all? That just felt unnecessary.

To make matters worse, there had been things I had wanted to do — not even fully-considered-plans, but just vague, seemingly-simple things like it was going to be sunny and warm and because of work, I hadn’t really left the house in a few days and I just wanted to walk around outside thank you very much. But, instead, I was left not thinking clearly, watching the fourth season of The West Wing on HBO Max, because that was all I felt like I could handle at that moment.

And throughout the whole thing, I could feel individual teeth ache, throbbing in time with my fucking cheekbones.

The Movies of April 2026

Anoher month where I wasn’t really watching that many movies, because my brain felt as if it was time to watch TV shows and/or do something else entirely altogether; I blame the fact that I somehow fell fully into a rewatch of The West Wing, more than anything else. (Eight of the films in the list below are shorts, so it looks deceptively long.) Nonetheless, I want to call out the following things:

  • Gimme Danger, a documentary about the Stooges and Iggy Pop’s early career, is a genuine joy, and left me with all manner of warm feelings about Mr. Iguana Pop himself.
  • Cool World is fascinatingly bad; it’s one of those movies that you watch, and then go research because it’s so bad and you wonder what kind of shenanigans went on behind the scenes, because surely that was no-one’s artistic vision. (Shenanigans did in fact go on behind the scenes, but having read up on what the original vision of the movie was, I’m not sure it would’ve been that much better.)
  • The fact that The Housemaid was a massive hit and out-earned Sinners at the box office last year is truly depressing, now that I’ve seen both movies. The Housemaid is so flat and dull that it did little beyond convince me that Sydney Sweeney has anti-charisma.
  • Teenage Superstars — a documentary about the Scottish indie music scene of the 1980s and (very) early 1990s — made me very happy not just for nostalgic reasons (but also, definitely that) but because it’s full of people telling the smallest story imaginable with good humor and occasionally a funny joke.
  • I re-watched R.E.M.: Road Movie and R.E.M.: Tourfilm in one evening, speaking of music and 1980s/90s nostalgia. I wore both of those movies out on tape when I was a kid.
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