Recently Read, Prose (3/2/13)


Yeah, I’m not quite sure what happened to my reading habits this month; I have the feeling that there are books that I’ve read and entirely forgotten in there, for some reason – I normally read more than this, even with the amount of work/stress and everything that’s been going on [UPDATE: I did, indeed, forget something: Sasha Issenberg’s Victory Lab: The Secret Science of Winning Campaigns, which was more dry than I’d been looking for]. Admittedly, there’s the book I still haven’t finished yet – Hana Rosin’s wonderful The End of Men – that could kinda/sorta be counted, I guess? Otherwise, though, as you can tell, I’ve been leaning heavily on the “Decompression Pulp” this month – El Sombra by Al Ewing being some kind of genius example of the idea, and a ridiculously fun, intentionally trashy story of one man who has barely escaped certain death out for revenge against, essentially steampunk Nazis; it’s really rather great – and trying out Star Wars novels for the first time ever because the high concept of Scoundrels (Pretty much “Hey, it’s Ocean’s Eleven, but Han Solo is George Clooney!”) is somewhat irresistible (The novel is slightly more resistible, it has to be said; it’s not bad, but it’s also nowhere near as fun as it should be).

Supergods was a re-read for work, but also spun out of reading an ARC of Glen Weldon’s really great Superman: The Unauthorized Biography, which I loved when I read and find myself appreciating even more the more I think about it afterwards. It’s the tone, I think; it’s just so very right for something like this. The End of The Line book was a light read because I was in the mood for some good punchy political writing, which this… isn’t, really. It’s another “almost, but not quite” entry. Basically, I find it difficult to wait for the inevitable “Definitive Book of The 2012 Election” to come along. I mean, we’re due one soon, right…?