Who Wants To Be Neil Armstrong, Anyway?

I had the thought the other day, that I should have gone into music journalism when I had the chance.

To be clear, I’m not sure that I ever actually had the chance in the first place; unless I’m forgetting something, I’m pretty sure that I’ve never actually been paid to write about music or musicians, and I doubt that’s anything that is about to change nowadays. Who in their right mind wants a 46-year old who’s spent too much time in the last month listening to Damon Albarn and old Primal Scream albums to write about music? It’s a young person’s game, and I think that’s the way it should be, at least for neophytes; they’re the one still hungrily discovering new sounds.

Nonetheless, the thought occurred when I thought about the fact that music writing has a cultural validity that writing about comic books just… doesn’t. Music writers get more freelance opportunities, as almost every news outlet runs stories about music and musicians; there’s an established market for books based in music writing — so much so, in fact, that bookstores have actual sections just for that very thing. If you write about music, then there are possibilities available to you that feel far less possible if, like me, you write about comic books and comic culture.

I’m thinking about this wrong, perhaps; I should be embracing the challenge and opportunity of being a pioneer, of breaking the new ground that I have, that I’m still trying to do. There is something exciting about that, it’s true, in being one of the few people who’ve written so extensively about all this stuff at a time when it’s gone (and continues to go) mainstream. I can remember when we all thought this was a bubble that would pop; more than a decade later, it’s clear to everyone that it’s something else, and I’ve been there the whole time, writing about it. That’s not nothing.

And yet, looking at the failed pitches, the doors now closed because of budget cutbacks, my bank balance this year… I find myself wishing that I’d gone into music journalism, or anything less niche, when I had the chance.

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