In an interview with Stern, Rivers pushed the conversation to its bizarre endpoint, saying that Dunham is “sending a message out to people saying, ‘It’s OK! Stay fat! Get diabetes. Everybody die. Lose your fingers.”

As for that Vogue cover, Rivers said: “She was on Vogue’s cover looking gorgeous. You didn’t know it was her.” She said Dunham shouldn’t have appeared on the cover because she didn’t deserve it based on her physical appearance.

Dear Joan Rivers,

Fuck off with this concern trolling bullshit.

Sincerely, Everyone

It was Dortmunder’s belief that in every trade with glamor attached to it – burglary, say, or politics, movies, piloting airplanes – there were the people who actually did the job and were professional about it, and then there were the people on the fringe who were too interested in the glamor and not enough interested in the job, and those were the people who loused it up for everybody else.

More from Westlake’s Nobody’s Perfect. See also: writing.

Remember the Dortmunder Gang – those five hapless but loveable hoodlums who bungled their way through The Hot Rock, Bank Shot and Jimmy the Kid? Well, they’re off again in pursuit of the big score – and this caper is their zaniest fiasco yet.

Dustjacket copy from the 1977 copy of Nobody’s Perfect by Donald Westlake that I’m currently reading.

Said dustjacket copy also includes the phrase “Simple? Not on your Westlake.” More dustjacket copy should be this snappy. Just imagine this kind of thing on Greg Rucka’s Bravo, for example. “Sound like a bad day? You Rucka believe it.”

Obviously, artists do respond to new technology, but it takes time. Real art comes from within. It has soul. There is a time lag for technology to be absorbed and experienced to the degree that soulful art can be made with it.

Video art is the obvious example. Television became universal in many places in the 1950s, but it took until the 1970s for artists to start making worthwhile experimental art with it. And it was not until the 1990s that such experiments entered the mainstream.

I reckon we will start to see the really intelligent, serious art of the digital age in about five to 10 years. On the other hand, the technology may have already changed so much by then that art cannot catch up.

From here.

Apropos of the above, I still remember seeing Bill Viola’s work for the first time in… 1998? 1999? Something like that. It was the first time I’d seen “video art” that truly worked for me, and it was amazing, and inspirational.

Scott Snyder on ‘American Vampire’s’ Second Cycle (Exclusive Art)

Scott Snyder on ‘American Vampire’s’ Second Cycle (Exclusive Art)

It’s Time to Face The Music: The Muppet Shows You Don’t Remember

It’s Time to Face The Music: The Muppet Shows You Don’t Remember