On a scale of “yes” to “no” to “not for the next ten years”, will you be going to SDCC this year?

ruckawriter:

I genuinely have no idea. I feel that SDCC has made it difficult, if not nigh-impossible, for comic professionals to attend the show, honestly. It’s enormously expensive, it’s incredibly frustrating logistically, and it is genuinely exhausting.

Right now, my attendance will be contingent on publishers’ needs — if I’m told I absolutely have to be there for X thing or Y event, then I’ll consider coming down for a day or two (provided there’s a room to be found or a floor to crash upon).

Otherwise, I think I’m pretty much done with attending SDCC for the time being. I didn’t go last year for the first time in over 20 years, and it felt remarkably good to watch the whole thing unfold via Twitter rather than trying to struggle through the thick of it, I have to say.

The attitude of “I don’t know if I’m going to SDCC, but if one of my employers tell me to, sure, why not?” has been the one I’ve held for the last few years. It lowers stress to an amazing degree, it has to be said.

Hey, Brian. I’m an aspiring writer, and I have this complex about being a person of color trying to break into comics. I know I’m probably making a bigger deal out of this than I should, but it’s kind of disheartening to see gatherings of creators and to notice the lack of color. Am I worrying for nothing? I tend to over analyze things, so this has been bugging me more than it probably should. I apologize in advance if this question is stupid, annoying, or has been asked before.

iamdavidbrothers:

brianmichaelbendis:

I am not a person of color but I am the father of a multiracial household and I’m Hypery aware of the world we live in in this regard. but I truly believe that there is nothing standing in your way of making your dreams as a creative person come true. It’s between you and your talent.

truthfully most of us don’t even know what each other looks like. all anybody cares about is the quality of each other’s work.

 do not put things in front of you to stop yourself from making your dreams come true. do not. people do this all the time and I truly believe it’s the difference between those who succeed and those who fail.

stop rejecting yourself before the rejection comes. and if rejection comes, and it will, don’t make it about anything but your work.

image

Bendis has a good point here, with the idea that you shouldn’t put things in front of you and that you need to hone your craft and focus on you.

But for really real, speaking as a black man who has worked in and around comics for a while now: race matters. You’ll have to live with people treating you like their ____ friend. You’ll have to deal with people pulling you aside to show their bonafides or dropping your name as some type of proof they or someone else isn’t racist. You’ll have to deal with rarely being able to call a spade a spade without being painted as angry or sensitive. You’ll have to deal with all the usual stuff you have to deal with as a person of color, but comics is a relatively small world even now, so pushing back a little—”You need to stop talking to me about this”—makes people feel some type of way about you.

I’m real careful who I associate with in comics for these reasons. I don’t like barcon because I know somebody’s gonna say something stupid. I’ve been going to several cons a year since 2007, and I’m not exaggerating when I say I’m batting a thousand when it comes to people saying idiotic or messed up or banal racial stuff to me because I’m The Black Guy. My friends got the same story. I know women that comics boys have said garbage things to, I know professionals who have repeatedly called other folks out of their name and shrugged and smiled about it.

Comics is not a special oasis of no barriers and complete freedom. Comics is American society, and chances are good that you already know how it works.

For me, the trick ended up gathering a comics family that is wild diverse. I didn’t do it intentionally, I’m not trying to catch Pokémon out here, but real recognizes real, and I’ve gravitated to people who aren’t just the current guard in comics. My wolf pack is crucial to keeping me interested in and happy with comics.

None of this is your fault, none of this anything you should have to deal with. But as a person of color, you’re already dealing with it. You’re not overthinking it. You’re not pre-rejecting. You’re protecting yourself. You recognized a problem and you’re looking for ways to deal it. You’re on the right track, and you can beat it. You’ll find a way to beat it. You’ll find your family, and together you’ll steamroll through the nonsense.

Hey, Brian. I’m an aspiring writer, and I have this complex about being a person of color trying to break into comics. I know I’m probably making a bigger deal out of this than I should, but it’s kind of disheartening to see gatherings of creators and to notice the lack of color. Am I worrying for nothing? I tend to over analyze things, so this has been bugging me more than it probably should. I apologize in advance if this question is stupid, annoying, or has been asked before.

iamdavidbrothers:

brianmichaelbendis:

I am not a person of color but I am the father of a multiracial household and I’m Hypery aware of the world we live in in this regard. but I truly believe that there is nothing standing in your way of making your dreams as a creative person come true. It’s between you and your talent.

truthfully most of us don’t even know what each other looks like. all anybody cares about is the quality of each other’s work.

 do not put things in front of you to stop yourself from making your dreams come true. do not. people do this all the time and I truly believe it’s the difference between those who succeed and those who fail.

stop rejecting yourself before the rejection comes. and if rejection comes, and it will, don’t make it about anything but your work.

image

Bendis has a good point here, with the idea that you shouldn’t put things in front of you and that you need to hone your craft and focus on you.

But for really real, speaking as a black man who has worked in and around comics for a while now: race matters. You’ll have to live with people treating you like their ____ friend. You’ll have to deal with people pulling you aside to show their bonafides or dropping your name as some type of proof they or someone else isn’t racist. You’ll have to deal with rarely being able to call a spade a spade without being painted as angry or sensitive. You’ll have to deal with all the usual stuff you have to deal with as a person of color, but comics is a relatively small world even now, so pushing back a little—”You need to stop talking to me about this”—makes people feel some type of way about you.

I’m real careful who I associate with in comics for these reasons. I don’t like barcon because I know somebody’s gonna say something stupid. I’ve been going to several cons a year since 2007, and I’m not exaggerating when I say I’m batting a thousand when it comes to people saying idiotic or messed up or banal racial stuff to me because I’m The Black Guy. My friends got the same story. I know women that comics boys have said garbage things to, I know professionals who have repeatedly called other folks out of their name and shrugged and smiled about it.

Comics is not a special oasis of no barriers and complete freedom. Comics is American society, and chances are good that you already know how it works.

For me, the trick ended up gathering a comics family that is wild diverse. I didn’t do it intentionally, I’m not trying to catch Pokémon out here, but real recognizes real, and I’ve gravitated to people who aren’t just the current guard in comics. My wolf pack is crucial to keeping me interested in and happy with comics.

None of this is your fault, none of this anything you should have to deal with. But as a person of color, you’re already dealing with it. You’re not overthinking it. You’re not pre-rejecting. You’re protecting yourself. You recognized a problem and you’re looking for ways to deal it. You’re on the right track, and you can beat it. You’ll find a way to beat it. You’ll find your family, and together you’ll steamroll through the nonsense.

Do I hear a theme song?

Do I hear a theme song?

In the desert of short news bites and unsatisfying blog posts, the website and weekly email Longreads is a refreshing anomaly. Since 2009, the small Oakland-based company has been linking to stories of over 1,500 words, offering a smorgasbord of great articles from underappreciated websites as well as from more established publications. Its twitter account, @longreads, promises “the best storytelling on the web” and is well-followed in media circles.

Today the site announced it is being acquired by Automattic, the company that operates the common blogging system WordPress. Financial details weren’t disclosed. Matthew Mullenweg, the CEO of Automattic, says he’ll add the Longreads’s staff of four to WordPress’s editorial team, which highlights new material on WordPress.com and the company’s mobile app. “The world cannot live on 140 characters alone,” Mullenweg said. “Longreads embodies a lot of what we really value with Automattic and WordPress.”

File under Things To Ponder Later When Deadlines Aren’t Pressing On My Head.

(From here.)