Byeeeeee

What was funny about recording the last episode of Wait, What? was how not-sad I was during the whole thing. I was even aware of that in the moment, the lack of sadness and sorrow during the final recording session. I’m pretty sure I even called it out in the recording itself.

I’d certainly expected to be sad, ahead of that. It had been a running theme when talking about it in the run-up to that final recording; I’d make some kind of comment along the lines of, “oh, we’ll both be messes in the last one, we won’t know what to say,” and I meant that entirely sincerely. Even on the day of the recording itself, it weighed on me; I felt this sadness on my shoulders hours ahead of sitting down to actually do it, all too aware of it being The Last One.

The podcast, after all, had been a constant in my life for more than a decade. It was one of the few things that had survived the upheaval of 2018, when everything else in my life to that point had gone; indeed, some of the strongest memories of the initial weeks after leaving my marriage was actually talking to Jeff and recording the podcast. For a show that was, ostensibly, just two friends talking casually about comics and culture, Wait, What? had this immense importance in my personal cosmology.

Jeff was the one who suggested ending it, months earlier, expecting me to disagree. I didn’t, although it took awhile for both of us to finally, properly settle on the idea that we were actually going to go through with it. For awhile, it felt like a dare each of us was expecting the other to back away from: were we really going to do it? Was it really going to happen?

It’s a few weeks later now, and the loss hasn’t sunk in yet. The holidays happened immediately after to distract us from the muscle memory of sitting down to chat for two or three hours every Saturday evening. We’ll still be calling and chatting anyway, just without recording it, which makes the loss infinitely easier — it’s probably why I didn’t feel the sadness when recording that last episode — but nonetheless, I know something has been lost. I’ll feel it when I least expect it, I can tell.

All This Will Fade Away

When I say that I haven’t really used Facebook in a long time, it’s worth putting that into context: the last update I made there prior to last week was noting my divorce had been finalized back in early 2019; my profile picture and cover photo hadn’t been updated since 2015. It was that last fact that brought me to the platform last week, along with the fact that I had time for such things thanks to my holiday break from work.

It was actually a passing comment from Chloe that put the idea in my head weeks earlier, with the two of us comparing how rarely we used the platform; we’d been discussing how best to reach comic creators we didn’t know for work, and I mentioned that my Popverse editor had suggested social media introductions as first moves. Try Facebook for some of the older creators maybe, I suggested. Facebook? You haven’t used that in years, she said, you still have a Grumpy Cat picture as your cover photo.

It was true, I did; a graphic in support of the Marriage Equality Act, which had become law some seven years prior. Maybe it was time for a change after all, I reasoned.

That said, I didn’t do anything about it until I had to take a selfie for my passport application weeks later. Something about the unsmiling, purposefully flat expression — you’re not allowed to smile in passport photos, in case you didn’t know — amused me, so I made it sepia toned quickly and threw it up as my first update to Facebook in years, letting the platform see my beard for the first time. It started getting liked immediately, to my mild horror, with someone comparing it to a “Stalin look.” Suddenly, I remembered why I hadn’t posted anything there in years, and regretted the slight return, as understated as it actually was.

What I Heard

Spotify told me these were the songs I listened to the most last year. I’m not entirely sure that’s true, despite the algorithm at play — I know that Open Mike Eagle’s “CD Bonus Track” was in pretty much constant rotation for the last couple months of the year, but the mix was published in early December — but, nonetheless: this is a good snapshot of the sound of the past 12 months or so.