The characters and stories that have appeared in our comics are very different from what they are in the film. Releasing material that would be viewed as movie tie-in product would be a disservice to filmgoers. We wanted the Disney folks to be able to create their own unique style and story, unencumbered by those older stories.
Wait, What?
Mmhmm. Mmhmm. Spectacular
All day over on the podcast Tumblr, it’s Kirby. Lots of Kirby.
Thor didn’t have to play a proverbial bridesmaid in other superhero films nor did Chris Hemsworth have to prove his box office might elsewhere before a Chris Hemsworth-starring Thor got the greenlight. The Guardians of the Galaxy didn’t have to pal around with Tony Stark in Iron Man 3 so that audiences could get used to them before they got their own movie, nor did Chris Pratt have to prove box office strength elsewhere before being handed a star-making role in a star-making franchise. Jason Momoa didn’t have to prove his box office pull (Conan the Barbarian from 2011) earned $48 million worldwide on a $90m budget) before getting a shot at apparently playing Aquaman in the Warner Bros. (Time Warner Inc.) DC Cinematic Universe, and Andrew Garfield did not get cast as Peter Parker in Sony’s Amazing Spider-Man because of all of those Lions for Lambs riches. Hollywood is filled with male-centric franchises based on characters both popular and niche played by little-known actors as a matter of course.
If the first major Marvel superhero movie with a female lead is Scarlett Johansson’s Black Widow, or if (related digression) Fox’s first female X-Men spin-off is a Jennifer Lawrence-led Mystique, then it will merely prove that female-centric superhero films have to jump through the kinds of hoops (uber-established character and super popular movie star in the lead) that male-centric ones do not.
On the very same day that this op-ed runs, this tweet appeared:
MCU update: sources tell me Marvel is getting cold feet about Captain Marvel in AGE OF ULTRON. They’re not sure they want to intro her cold.
— Devin Faraci (@devincf) August 28, 2014
Yes, apparently Marvel has cold feet about introducing the character “cold” as a cameo. You know, like they did for Hawkeye in Thor. Seriously, this sort of comedy writes itself now.
You Can Tell a Lot About Someone by the Type of Music They Listen to
You Can Tell a Lot About Someone by the Type of Music They Listen to
Hit shuffle on your iPod, phone, iTunes, media player, etc. Write down the first twenty songs. Then pass this onto ten people. No skipping!
I was tagged by fyeahlilbit3point0:
- “The One”
- “Can You Party”
- “King Push”
- “Make It Last Forever”
- “Sick of Being Lonely”
- “Work That!”
- “Cameltoe”
- “Outro”
- “A House Is Not a Home”
- “Nice & Slow”
- “Fistful of Tears”
- “Disco Nights”
- “Planet Rock”
- “Power of Love”
- “No Matter What They Say”
- “4 The Luv of Music”
- “I Miss You”
- “I Don’t Love You Anymore”
- “Feel the Girl”
- “Ugly“
- “Promiscuous"
I’m tagging everybody.
Okay, into this. So:
- Carry the Can – Super Furry Animals
- New York is Killing Me – Gil Scott Heron
- Devil’s Pie – Rhymefest
- Title of This Song – Portland Cello Project feat. Lizzy Ellison
- Darklands – Primal Scream
- Gospel with No Lord – Camille
- Yen on a Carousel – David Holmes
- Bird’s Lament – Moondog
- Rehab – Amy Winehouse
- Feeling Good – Nina Simone
- Old Brown Shoe – The Beatles
- Everyday Robots – Damon Albarn
- The Bridge I Burned – Elvis Costello
- Life is Just Beginning – The Creation
- Way Down in the Hole – The Blind Boys of Alabama
- Downs (Demo) – Big Star
- Gotta Get Up – Harry Nilsson
- Anger Management – Shawn Lee (feat. Princess Superstar)
- You’re Gonna Make Me Lonesome – Mary Lou Lord
- Hot Knife – Fiona Apple
Like Cheryl, anyone who wants to respond, feel free.



