“So What Went Right?”

What’s even more impressive is that while high unemployment is driving the national labor-force participation rate down, the Portland area’s participation rate is now growing. In the aggregate, Texas is where people have been moving to get jobs, but if you like overcast weather and independent coffee shops, greater Portland’s not a bad alternative.

So what went right? To an extent, Portland’s benefitted from the fact that some of its local enthusiasms—bicycles, food trucks, microbrews, artisanal whatnot—have become more popular nationally, giving a boost to some growing local companies. The Portland area has also benefitted from the region’s green proclivities. Renewable energy has been a growth industry nationwide, and Portland is home to the North American base of Germany’s SolarWorld and Denmark’s Vestas, one of the world’s largest wind-turbine manufacturers.

Way to go, my home town. From here.

“That Is The Real Unfairness of Fate”

For a certain period in every life, a person can do no wrong. That period may last an hour, a month, or much longer, and that is the real unfairness of fate. But length aside, there does come a moment for everyone when he is invincible, infallible, immortal. Even if it lasts only an afternoon.

– Jonathan Carroll, From The Teeth of Angels

Greatest Banner Ad Ever?

Very possibly.

Why the freaky CGI baby? What does that have to do with being a social worker or working full-time while earning your degree? I have no idea. But am I almost tempted to click through to find out? You bet I am.

“If You Go Into Those Internet Worlds… That Will Drive You Off Your Rocker”

I don’t go on the Internet. I never go on the Internet. I don’t go on Twitter. I’m not on Facebook. I’ve seen friends go into dark, dark holes of sadness because of that. Frankly, I don’t have the time or the attention span for it. I would rather go to a movie with my free time than be on the Internet. To me the computer is still where I type my script and that’s it. My whole thing about Facebook is I don’t understand, you have email. Friends are like, “Yeah, but I want to send you pictures of my kids.” And I’m like, “I don’t want pictures of your kids! I don’t want to see what your children look like, ever.” I don’t care about that. I just want to send you a nice message saying, “Hey, want to have dinner on Friday?” and I would like you to respond. That’s all I want! My life is very simple.The thing is, if you go into those Internet worlds, if you’re going to believe the good feedback, you have to believe the bad feedback, and that will drive you off your rocker. If you don’t internally have a feel for the show and have a feel for what you like and where you want to go, then you shouldn’t be doing the show. You can’t look for people to vindicate you, or then when the people go, “You actually suck,” you’re going to sit there and go, “Yeah, I actually suck.” And I’m really not emotionally stable enough for that. I cannot hang with that.

That’s Amy Sherman-Palladino, creator of Gilmore Girls and the sneaky-secret show of the summer, Bunheads, talking.

“?”

Having one of those busy days, again: re-writing my Time story for tomorrow in addition to posts for SpinOff Online, Robot 6, Newsarama (seven posts for them today; thankfully, they’re short), Comics Alliance and Digital Trends means that I am keeping myself busier than the average bear, which means I am sadly ignoring this blog. More later, if I have the chance, or tomorrow if I don’t, I promise.

(Image from Uncanny X-Men Annual #14, by Chris Claremont, Art Adams and a whole host of inkers – I have no idea which one of the five listed in the credits for this issue actually did this panel – with colors by Brad Vancata.)

Eat Hot Logo, Nort Scum!

I’ve been re-reading a lot of 2000AD recently, and something that’s caught my eye as much as the thrill-power of the individual strips is the design that’s on show. The above logo, for example, isn’t the kind of thing that necessarily works in every possible outlet, but… there’s something really great in a classic 1980s fashion about it, right…?

“A Cold Manila Fist That Closed Around My Fragile Hopes”

My art school rejection letter arrived as a cold manila fist that closed around my fragile hopes. When I closed my eyes, I saw the little animation from my TV favorite The Prisoner; Patrick McGoohan’s scowling Buddha face inflating to fill the screen before two iron gates closed across it, eternally barring his escape. I imagined the walls of my room extending to the infinite horizon.

From Grant Morrison’s Supergods.

I remember being rejected from Glasgow School of Art, a year before I got accepted to Grays School of Art in Aberdeen; I’m not sure that my mind invoked The Prisoner (Although I had just recently discovered that show, and become a fan), but the sense of frustration and hopelessness in the (melodramatic) passage above definitely seems very familiar to me.

Under The Unfinished Westway

Huh, interesting. William Orbit – fast becoming a Blur spoiler fan-favorite after working with the band on new material and then being dumped when they didn’t like the results – has released an earlier version of “Under The Westway” on YouTube:

It sounds unfinished and far less interesting/epic than the finished version, and I find myself amazingly grateful they didn’t go with this direction, but what’s really fascinating is an entire middle section that was dropped from the song as officially released (1:52-3:30) that’s… actually the best part of this version, and something that I almost wish had made it into the finished take. If nothing else, the bit about “On Friday night/In public houses/We are wonderful/Pathetic or just/Plain gone” is a lovely intro into the “It’s magic arrows hitting the bull!” part at the end…

(Now I’m very curious about what other bits have disappeared from familiar songs that I’d love. That box set filled with demos and unreleased material keeps tempting, dammit…)