John and Ed were approaching Black Rock desert on the way to Burning Man when the email arrived from a friend. “Thanks for letting us stay in your apartment this weekend!”

John looked at his husband in confusion. There must be some mistake – they had left their San Francisco apartment with their professional housesitter.

“No, it’s definitely your house – your car, your wedding photos, your cats,” said his friend. “We found it on Airbnb.”

In what is just the latest symptom of San Francisco’s overheated property market, John and Ed discovered that their housesitter had rented out their apartment while they were away, charging $2,000 for five days.

In addition to heavy promotion and marketing for the first issues, Marvel is rolling out the red carpet for the second installments of these highly anticipated titles. Along with added publicity, web advertising and web skins – each new All-New, All-Different Marvel first issue will conclude with a full page advertisement for issue #2. Prompting fans who’ve just finished these exciting first issues to come back for round two! If you thought issue #1 was packed with high-octane action and can’t-miss moments, just wait till you read issue #2!

This is, perhaps surprisingly, not an Onion article, but real Marvel PR. The tagline for the campaign, I swear to God, is “You Want To Know What Happens Next? Don’t Miss [Series Title] #2!” Because, if Marvel hadn’t told the reader that, they’d have no idea what to read to find out what happens next.
(via waitwhatpod)

Many newer outlets offer fifty cents per word or more—sites like The Verge might pay a dollar per word—as do established publications, including New York‘s blog network and The Guardian. “You can expect that two hundred and fifty dollars is an ultimate baseline for anything that you do,” Kyle Chayka, a New York-based freelancer, told me. “No one is paying less than that. My own perception is that fifty cents per word is a fair going rate for an experienced freelance writer who’s writing something primarily for the web that’s been reported.” But still: Figure twelve hundred or fifteen hundred words per piece, and you’re talking closer to twenty cents per word. “That’s depressing math when you’re doing your budget,” Erik Malinowski, a freelancer writer, said.

From here, and utter bullshit. $250 per piece as the ultimate baseline? If only.

The number counted as living rough in the city in 2015 is 6,686, up 3% on the last count in 2013.

At the same time, the median house price in San Francisco has risen 103% since 2012 to $1.35m in July 2015, affordable for only the top 10% of households in the city, according to the latest figures from the California Association of Realtors.

And household income for the 95th percentile is the highest in the US at $423,000, although the city’s income inequality is the second worst after Atlanta, says a Brookings Institution report.

Last year, the US Travel Association found that 28% of workers did not take vacation so that they could prove their dedication and not be seen as slackers. Another 40% were afraid of the work they’d have to do when they got back from vacation.

A government-controlled industry group targeted popular food bloggers, major publications and a celebrity chef as part of its sweeping effort to combat a perceived threat from an egg-replacement startup backed by some of Silicon Valley’s biggest names, the Guardian can reveal.

The lobbyists’ media counterattack, in possible violation of US department of agriculture rules, was coordinated by a marketing arm of the egg industry called the American Egg Board (AEB). It arose after AEB chief executive Joanne Ivy identified the fledgling technology startup Hampton Creek as a “crisis and major threat to the future” of the $5.5bn-a-year egg market.

Sometimes, everybody needs a break from everybody. Enter Avoid Humans—a web-based app that combs data from Foursquare and Instagram check-ins, giving you the nearest places in your area with the least amount of humans. The app is divided into four categories-nightlife, food, coffee and refuge—and each location is color coded to indicate the current level of human presence.

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