Author: Graeme McMillan

Something someone said to me lately has been sticking in my brain a lot. We were talking about how people had reacted on social media to one particular piece of news, and they said something along the lines of, “Everyone is just mean now. This far into lockdown, we’ve gone from trying to be polite to just being feral.”

It was one of those things that just flipped a switch in my brain. I wouldn’t call it an epiphany, because it’s not as if it translated immediately into any kind of concrete realization, but it’s been pinballing around inside my head ever since. It feels as if it touches on something true about the transformation we’ve all been undergoing since we first closed everything down and hid in our homes two years ago now.

(It’s two years! Well, almost We went into lockdown in March 2020, and here we are now. I can still remember people saying with all seriousness that lockdown was only going to last two weeks, and here we are now.)

I’m not sure that I buy that we’ve all gone feral — in fact, I’d pretty aggressively push back on that idea, to be honest — but the idea that we’re all somehow at our worst after two years of COVID is something that has just been stuck inside my head. Something that I’ve been struggling with over the past few months has been how to express how difficult it’s been to just… do the usual stuff in the halfway house between what used to be normal and the full lockdown of March 2020.

In theory, people are “returning to normal,” and businesses certainly would like us to believe that’s the case, but it’s clearly not; the dissonance between what we’ve been told and what’s actually happening has been wearing in ways that I never could have imagined, and I’m pretty sure it’s changed me in the same way that I’ve watched it changed other people around me.

Does that mean that we’re all worse for everything that’s happened? I genuinely don’t know. But even the hyperbole of talking about people being feral feels like it’s a step towards some essential truth, that we’re all different now, in ways we won’t properly appreciate for years yet.

If there’s something that I’ve become increasingly impatient with in pop culture spaces over the past couple of years, it’s an attitude that can best be summed up by a quasi-mathematical  mad-lib formula: “[Pop Culture Property X] was good when [I was young], but now it’s bad because [it’s not aimed specifically at me and what I want from my nostalgia].”

I try to stay away from people who offer up this line of thinking as much as possible, because it’s exhausting and disappointing — especially when coming from people whose golden era for whatever they’re complaining about was as dissonant from an earlier incarnation as whatever they’re complaining about. It’s a common complain inside sci-fi circles, especially: you can see people saying it about Star Trek and Star Wars and Doctor Who all the time.

That’s not to say that I’m a fan of all of those things even today; I was left relatively cold by recent Doctor Who and I thought The Book of Boba Fett was pretty much a mess, and I’ve been disappointed in the current season of Star Trek: Discovery as much as I’ve watched it. (I’m weeks behind, I shamefully admit.) But in each of those cases, I find the easiest thing to do is just… move on and look for something else to watch, instead?

Here’s the thing: I can always go back and rewatch the episodes that I do love whenever I want. (And, in the case of Doctor Who, at least, I do.) Even if I didn’t want to do that, though, there’s so much out there that I do want to watch and enjoy that I don’t feel the need to hatewatch anything to fuel my anger. Instead, I can just go, “well, this really isn’t my bag” and leave it to those who really love it.

This is either maturity, or a sign that I’m a really bad nerd. Not that those two things are mutually exclusive, of course.

I was never going to be a musician — my utter lack of ability to play any instrument, nor hold a tune when attempting to sing put paid to that dream upsettingly early in life — but I have long held a fascination with the very concept of an E.P., and what it must be like to release one.

I can’t explain why the E.P. — that’s “extended play” if you’re the kind who likes to use non-acronym names for things — has been the object of such interest for me as long as it has; it’s basically just a stopgap between single and album in terms of musical release formats, usually for something that had four or so songs on it. (As opposed to CD singles when I was younger, which often tended to have three or four songs on there but never got described as E.P.s; look, I don’t make the rules, I just get really obsessed by them.)

Nevertheless, I loved the idea of it; the very notion of creating an entire format because it didn’t fit into one category or the other. I loved the idea of it being too long and too short at the same time, and just being this other thing, instead.

The closest thing to an E.P. in terms of the written word would be… a novella, I guess? Or, in this day and age, probably something like a Kindle Single, not that that’s a format that anyone really refers to these days anymore. (Oh, the internet and digital publishing, the many pieces of wreckage you’ve left behind…!) I’ve often wished that there was a proper E.P. format for writing, and that I could release things in that format over and over again. It’s this genuinely random, inexplicable ambition that I’ve held for decades by this point, destined to never be fulfilled. And yet.

And yet.

My brain is trying to readjust to being work-busy again. If there’s one thing I’ve realized about myself in the last year or so, it’s that my head is a metaphorical vacuum that can and will be filled by whatever is around to fill it, especially workwise. If I have one big story to do, then that one story will take up my entire day. If I have three, then those three will find ways to coexist and share space. It’s just how it is.

I didn’t expect this to be the case. When things started to slow down for me last year, I had this moment of thinking, well, at least I’ll be able to get all these other things done as well. I imagined being able to finish work by lunch aAnd then step away to take care of something, anything, else that required attention — housecleaning, my permanently overdue organization of my finances, literally anything that didn’t involve me sitting at my desk in my office until 5pm every day, as I’d become used to doing. That didn’t happen, though; instead, I found myself slowing down in terms of productivity — in part due to self-consciousness over not having enough work, asking myself if I wasn’t good at it anymore — so that one task would take the time available, no matter what.

What this has meant now that things are changing again (however long term that change may end up being) is that I’m having to relearn how to juggle projects, how to switch mental gears from one thing to the next without too much effort, and how not to drop balls along the way. (This year, that’s been more difficult than I’d like to admit, alas.) It’s an unexpected lesson to have to relearn, and one very unlike riding a bike as much as I might wish differently, but if 2022 is going to continue along the lines of these first few weeks, it’s one that’s going to become increasingly necessary.

This is a good thing, I’ll tell myself over and over.

I didn’t really set out to make February almost entirely a month of image-only posts, with the exception of, what, two written pieces at the very start of the month. I promise, it wasn’t some kind of smart and secret plan for the final written piece for the entire month to be talking about how I need a break, and then I take a pretty-much-month-long break from writing here. I wish it had been; then I’d look like I knew what I was doing.

Instead, it’s genuinely just the result of February being an unusually busy month, mentally, if not in practical, physical terms. There was a lot going on in a lot of places, and I spent much of the month thinking about things, instead of writing posts here. That sounds more intentionally teasing than it should; it’s really just that it’s a lot of personal stuff that relates to other people whose laundry I’m not willing to show here, is all.

I mean, it’s still true that the newsletter is something that takes up more brain space than I’m entirely comfortable with, but that’s also something that I’m getting a hold on as it goes along. Somehow, I’m into my third month of doing it, and I remain more than a little surprised by how much I’m enjoying it and how rewarding it feels after the not-rewarding-at-all experiences of work in almost the entirety of 2021. Turns out, I can still write about comics and have fun with it while also doing actual reporting about things I think are important! Who knew?

(I’m making a joke out of it, but the newsletter really is something that I find myself getting a lot out of, in ways and to extents that I hadn’t really expected. If only I could work out how to monetize it in ways I’d feel comfortable with, everything would be going swimmingly.)

All of this is to say: Even though my March is already filling up with more writing gigs/better writing gigs than I’ve enjoyed in awhile, I’m going to try and find the time and brain space to write here more often than in the last month. After all, this place is like self care, when I do it right.