The Kind of Set-Up This Is

There are times when you get a sinking feeling in your stomach, and your general, vague sense of unease suddenly becomes sharper, more definite in its discomfort. Like, say, a moment when you describe a situation to some financial professionals, they say, that’s impossible, no-one would do that, and you have to tell them that, not only is it not impossible, it’s something that’s already happened to you just a few months ago.

2020 has been, to be blunt, a brutal year for me financially. If 2019 was a year where I found my feet during and after the divorce — and it was, on every level; emotionally, practically, financially— then this has been the year that laughed at all of that and tried to cut my legs off. I lost work, I lost more than half of my income and have found no easy way to replace it as my industry got wrecked by a pandemic that undermined its already shaky foundations.

During all of this, an outstanding debt owed to me magically reappeared and was offered to me in the middle of the year. Something that wasn’t technically due for another few years was, in my hour of need, offered in full: a genuinely unexpected but entirely welcome lifeline to save what little hair I had left. All I needed to do was sign the paperwork and get it notarized and submitted, and everything would be fine.

Except, as it turned out, it wasn’t. I signed,notarized, and submitted the paperwork in July, and nothing happened. In September, weeks after the promised deadline, I found out why: the party owing me the money had ghosted the obligation, but was now offering it a second time through a new third party. So it goes, as Kurt Vonnegut put it. All I needed to do, again, was sign the paperwork and get it notarized and submitted.

That, then, was how I spent part of my birthday this year. After signing, I asked the representatives present what would happen next, and how real everything was. Well, they said, now that you’ve signed this, it’s essentially a done deal. Yes, I told them, but I’ve already signed this paperwork in July and nothing happened. Could that happen again?

Their faces fell, as they asked me to confirm: I’d really signed and notarized and submitted these forms before? And nothing happened? I said yes. That was unheard of, they said, no-one would just abandon the process at that point. But that’s what happened, I repeated, and they frowned, before telling me they now understood my concern. They ushered me out of the office, telling me I could expect a phone call if everything fell apart again, repeating their disbelief that it could have happened before, but refusing to say that it couldn’t happen again.

Happy 2020 birthday: here’s your sinking feeling, stronger than before.

From A to B

In a THR newsletter update: We returned after the Labor Day break — which means just one week’s worth of newsletter graphics — with a surprisingly short newsletter, which required just two graphics, only one of which I actually dig. Somewhat frustrating, but what can be done? (I was in a strangely 45 degree line mood this particular week, in case you can’t tell.)

Oh, Oh, I’m Still Alive

I feel as if I’m being haunted by Pearl Jam recently. Perhaps it’s the same impulse that brought me back to Matthew Sweet decades after the fact — an update on that: nostalgia is a powerful thing, powerful enough to overcome thin production and nasal harmonies, it seems — but I’ve been thinking more than I should about Eddie Vedder’s overwrought jam band of well-meaning misfits in the past few weeks.

What started as an offhand mention on the podcast remained in my mind as I thought of more and more of their songs that I remembered, and then I got a couple of work requests loosely affiliated with band. It’s been as if the universe has been trying to send me a message delivered in a particularly strangulated voice that yelps a lot.

I was a Pearl Jam fan for roughly two albums, after a fashion. Being of the age I am, their debut held an appeal that it didn’t truly deserve, thanks to the self-importance of singles like “Alive” and “Jeremy” and a 16-year-old’s inherent desire to find things deeper than they actually are. I was a fan in the sense of getting the album from the library and not really digging it that much, but wanting to, because they really cared, man. Far more than the reality, the idea of the band really appealed to me.

Their second album, I actually owned. It came out around the time I left home for the first time, and I’m pretty sure I was given it as a birthday present. I remember that I had the initial release where it was untitled, before it became known as Versus, and I also can tell you that, despite it being played countless times that fall and winter, I literally can’t remember one song from it today. I can’t even remember a title of one, it was so non-descript.

After that, I moved on to music I actually liked and wanted to listen to. Britpop was getting started and that proved to be far more my thing, and Pearl Jam got left behind in my memory… until now, it seems. If this is some kind of undead thing happening for October, I’m really not impressed.