Four Random Thoughts on Turning 51

  • I can’t explain why, but 51 feels like “the second half,” not that I believe for a second that I’ll make it to 100 years old. But I kept thinking that this birthday marked a shift into a different era or phase or something similarly melodramatic, not that I know what it actually could mean or truly believe that it’s actually a thing beyond being in my head. On the plus side, I’m not calling it “the downhill slide.” Well, not yet.
  • It’s actually nice not to be 50 anymore. For the entirely of that year, I felt as if the year was somehow meaningful, or that I should be doing something special with it, and all I was doing was… living my life? It was the half-century mark and a round number and surely that had some kind of deeper meaning, and what was I doing? Well… working, and taking care of every day stuff, and seeing friends, and the usual. But shouldn’t I have been doing more, I thought to myself on an all-too-regular basis? (Not really, and with what time? And yet.) I look forward to not putting that odd internal pressure on myself.
  • I do wonder if I’ll stop calling myself “old” so much this year. For some reason, I complained to friends — you know who you are — that I was “old” after turning 50, prompting them all to make faces and say things like “50 isn’t old” even though they were a decade or so away from it themselves. I get what they’re saying, and if I’m entirely honest, I don’t actually feel old, and yet for the last year, I’ve self-consciously been arguing the opposite and I’m not entirely sure why. Hopefully, that’ll fall away now.
  • I almost forgot my birthday this year. Prep for New York — I leave tomorrow — and other things just got in the way, and so I didn’t really think about it much, to the annoyance of people who’d ask if I wanted anything in particular as a present. That was oddly lovely, and I’m wondering if it’s going to be a new tradition. (Not the reasons for forgetting, but the forgetting.)

In short: What a relief.

The Movies of September 2025

September proved to be a very strange month, in terms of viewing — movies, especially. I watched fewer than usual, because I was watching more television. (Next Gen Chef and Peacemaker in particular, ate up a lot of my month in front of the screen.) But I also just… watched less, in general? I found that I couldn’t really settle into what I was watching often because my head was filled with work stuff or some other distraction, so I abandoned a lot of movies not listed below, unsatisfied and frustrated.

That said, I still managed to finish 28 Years Later, a movie I genuinely disliked intensely, so… there’s that, I guess…?

The Comics of September 2025

Usually, there’s some through line of my comic book reading, but this past month… not so much? I think the most noteworthy thing might have been a low key Kieron Gillen binge — The Power Fantasy, but also revisiting Phonogram, which apparently I do every couple of falls (The Wicked + The Divine is next, of course; Phonogram as superheroes) — and revisiting the latter Frank Miller Dark Knight stuff, which both holds up better than you might expect but also has so much less weight, comparatively. The Golden Child is by far the best of it, a fever dream of a superhero comic that isn’t weighed down by undoing the previous two series like Dark Knight III is.

(Wait, I did basically read all of Matt Fraction’s Invincible Iron Man run, all… 60-odd issues of it…? Well, aside from the first six issues that I read in August.)

The month ahead is going to be a weird one, as Octobers tend to be: the New York Comic Con of it all will be so exhausting — and so lengthy — that I’ll likely spend a week or so not reading, so… we’ll see how all of this turns out, all told. Anyway. Here’s what I read last month.

  1. The Immortal Hulk #13
  2. The Invincible Iron Man (2008) #7
  3. Hawkeye (2012) #8
  4. JLA: Incarnations #7
  5. Titans 2025 Annual #1
  6. The Immortal Hulk #14
  7. The New Gods (2024) #10
  8. Justice League Red #2
  9. Wonder Woman (2023) #25
  10. The Invincible Iron Man (2008) #8
  11. Uncanny X-Men (2011) #s 2-3
  12. The Immortal Hulk #15
  13. Wolverine & The X-Men (2011) #2
  14. Daredevil (2011) #s 1-2
  15. The Punisher (2011) #1
  16. All-New Venom #10
  17. The Amazing Spider-Man (2025) #11
  18. Avengers (2023) #30
  19. Doctor Strange (2025) #450
  20. Imperial War: Exiles #1
  21. It’s Jeff! & Other Marvel Tails #1
  22. Spider-Man ‘94 #1
  23. Uncanny X-Men (2024) #20
  24. The Legion of Super-Heroes (1980) #s 307-310
  25. The Immortal Hulk #16
  26. Daredevil (2011) #3
  27. The Punisher (2011) #2
  28. Uncanny X-Men (2011) #4
  29. Wolverine & The X-Men (2011) #3
  30. Hawkeye (2012) #9
  31. Uncanny X-Men (2011) #5
  32. Wolverine & The X-Men (2011) #4
  33. In The Days of the Ace Rock & Roll Club
  34. Alec: Episodes from the Life of Alec MacGarry
  35. The Immortal Hulk #s 17-18
  36. The Invincible Iron Man (2008) #9
  37. Uncanny X-Men (2011) #6
  38. Wolverine & The X-Men (2011) #s 5-7
  39. Magneto: Not A Hero #s 1-4
  40. The Legion of Super-Heroes (1980) #311
  41. The Invincible Iron Man (2008) #s 10-11
  42. Hawkeye (2012) #s 10-11
  43. The Immortal Hulk #s 19-20
  44. Iron Man (2012) #s 25-26
  45. Daredevil (2011) #4
  46. The Punisher (2011) #3
  47. The Immortal Hulk #s 21-22
  48. Uncanny X-Men (2011) #s 7-8
  49. Iron Man (2012) #s 27-28
  50. The Immortal Hulk #s 23-24
  51. Original Sin: Iron Man vs. Hulk #s 1-4
  52. The Invincible Iron Man (2008) #s 12-19
  53. The Legion of Super-Heroes (1980) #s 312-313
  54. Action Comics (1938) #544
  55. Superman/Batman (2010) #6
  56. The Immortal Hulk #s 25-27
  57. Transformers (2023) #24
  58. 2000 AD Progs 2449-2450
  59. The Immortal Hulk #s 28-33
  60. Daredevil (2011) #5
  61. Closer #1
  62. Daredevil 2011) #6
  63. The Punisher (2022) #4
  64. The Immortal Hulk #34
  65. Hawkeye (2011) #12
  66. Hawkeye Annual (2012) #1
  67. World’s Finest (1999) #s 1-3
  68. The Immortal Hulk #s 35-39
  69. The New History of the DC Universe #3
  70. Superman (2023) #30
  71. Justice League Unlimited (2024) #11
  72. Justice League: The Omega Act Special #1
  73. One World Under Doom #7
  74. The Punisher: Red Band #1
  75. The Undead Iron Fist #1
  76. Imperial War: Nova Centurion #1
  77. 3W3M: Foundations
  78. Love Everlasting #s 11-15
  79. Captain America (2025) #3
  80. Absolute Green Lantern #7
  81. Detective Comics (1937) #s 583-584 (First Wagner/Grant issues)
  82. The Immortal Hulk #s 40-42
  83. King in Black: Immortal Hulk #1
  84. The Immortal Hulk (2020) #0
  85. The Invincible Iron Man (2008) #20
  86. Detective Comics (1937) #s 585-586
  87. The Immortal Hulk #43
  88. Batman/Superman: World’s Finest #43
  89. Titans (2023) #27
  90. Superman Unlimited #5
  91. The Flash (2023) #25
  92. Weird War Tales #s 42-44
  93. Superman (1939) #295
  94. The Immortal Hulk #s 44-50
  95. Detective Comics (1937) #s 575-576 (Year Two parts 1 & 2)
  96. Cheetah and Cheshire Rob the Justice League #3
  97. Superman: Leviathan Rising #1 (Jimmy Olsen story only)
  98. Detective Comics (1937) #587
  99. The Invincible Iron Man (2008) #21
  100. Uncanny X-Men (2011) #9
  101. The Incredible Hulk (2023) #1
  102. SWORD (2020) #s 1-2
  103. Artificial #1
  104. 2000 AD Prog 2451
  105. Mechanics (1st Jaime Hernandez L&R)
  106. Detective Comics (1937) #s 588-589
  107. Superman’s Pal, Jimmy Olsen (2019) #1
  108. Star Trek: Celebrations 
  109. The Invincible Iron Man (2008) #22
  110. World’s Finest (1999) #4
  111. Trinity: Daughter of Wonder Woman #s 1-3
  112. DC Worlds Collide #1
  113. SWORD (2020) #3
  114. Detective Comics (1937) #590
  115. Batman (1940) #s 655-658
  116. The Invincible Iron Man (2008) #s 23-24
  117. SWORD (2020) #4
  118. JSA (2024) #12
  119. Adventures of Superman: Book of El #1
  120. X-Men of Apocalypse: Alpha #1
  121. World’s Finest (1999) #5
  122. New X-Men (2001) #114 (First Grant Morrison)
  123. Valkyrie: Jane Foster #s 5-6
  124. New X-Men (2001) #s 115-116
  125. Trinity (1993) #1
  126. Weird War Tales (1971) #s 22, 23, 30, 32, 40, 46-49, 53, 64, 68, 69, 123 (Day After Doomsday stories only)
  127. The House of Secrets (1956) #s 86, 95, 97, 318 (Day After Doomsday stories only)
  128. The Unexpected #s 215, 221 (Day After Doomsday stories only)
  129. Strange Adventures (1950) #117
  130. New X-Men (2001) #117
  131. New X-Men Annual 2001 #1
  132. New X-Men (2001) #118
  133. Weird Mystery Tales #1
  134. World’s Finest (1999) #6
  135. Batman (1940) #s 663-665
  136. Detective Comics (1937) #591
  137. The Invincible Iron Man (2008) #25
  138. Uncanny X-Men (2011) #10
  139. Wolverine & The X-Men (2011) #8
  140. The Power Fantasy #1
  141. Deadpool/Batman #1
  142. Amazing Spider-Man (2025) #12
  143. Fantastic Four (2025) #3
  144. The Incredible Hulk (2023) #29
  145. Marvel Zombies: Red Band #1
  146. New X-Men (2001) #s 119-122
  147. The Invincible Iron Man (2008) #26
  148. The Power Fantasy #2
  149. Detective Comics (1937) #592
  150. New X-Men (2001) #s 123-124
  151. SWORD (2020) #5
  152. The Power Fantasy #3
  153. New X-Men (2001) #s 125-126
  154. The Power Fantasy #s 4-5
  155. World’s Finest (1999) #s 7-8
  156. New X-Men (2001) #127
  157. SWORD (2020) #6
  158. LEGION (1989) #s 40-41
  159. Guardians of the Galaxy (2020) #5
  160. DC K.O. #1
  161. The Power Fantasy #s 6-11
  162. Blood Syndicate: Season One #s 1-2
  163. Gotham City Sirens: Unfit for Orbit #1
  164. Catwoman (1993) #38
  165. Robin: Year One #1
  166. Batgirl: Year One #1
  167. Green Arrow: The Wonder Year #1
  168. Dark Knight III: The Master Race #1
  169. All Star Batman & Robin, The Boy Wonder #1
  170. Superman: Year One #1
  171. Guardians of the Galaxy (2020) #s 6-7
  172. Dark Knight III: The Master Race #2
  173. New X-Men (2001) #s 128-131
  174. World’s Finest (1999) #9
  175. DC Universe: Legacies #s 1-4
  176. 2000 AD Prog 2452
  177. World’s Finest (1999) #10
  178. New X-Men (2001) #s 132-134
  179. Robin: Year One #2
  180. New X-Men (2001) #s 135-138
  181. Superman Unlimited #6
  182. The New Gods (2024) #11
  183. Titans (2023) #28
  184. Batman/Superman: World’s Finest #44
  185. Eternals (2021) #1
  186. Phonogram #s 1-3
  187. Young Avengers (2013) #1
  188. Dark Knight III: The Master Race #3
  189. DC Universe: Legacies #s 5-6
  190. Judgment Day: Alpha #1
  191. Judgment Day: Omega #1
  192. Phonogram #s 4-6
  193. Phonogram: The Singles Club #s 1-7
  194. Judgment Day: Final Judgment #1
  195. Awesome Holiday Special 1997 #1 (Youngblood story only)
  196. Dark Knight Returns: The Golden Child #1
  197. Detective Comics (1937) #2
  198. Secret Origins (1986) #40 
  199. Blue Beetle (1967) #s 1-2
  200. Death of the Silver Surfer #4
  201. Ultimate Hawkeye #1
  202. X-Men (2024) #22
  203. Battleworld #1
  204. The Moral Thor #2
  205. 2000 AD Progs 129-151 (Judge Dredd stories only)
  206. New X-Men (2001) #s 139-141
  207. Guardians of the Galaxy (2020) #s 8-9
  208. Jeff Week 2025 Infinity Comic #s 1-2
  209. Dark Knight III: The Master Race #4
  210. DC Universe: Legacies #s 7-8
  211. Dark Knight Returns: The Last Crusade #1
  212. New X-Men (2001) #s 142-145
  213. Astonishing Avengers Infinity Comic #5
  214. Dark Knight III: The Master Race #5
  215. DC Universe: Legacies #s 9-10
  216. New X-Men (2001) #s 146-150
  217. Dark Knight III: The Master Race #6
  218. Phonogram: The Immaterial Girl #1
  219. Detective Comics (1937) #593
  220. Batman (1940) #666
  221. New X-Men (2001) #s 151-156
  222. Uncanny X-Men (1963) #444
  223. Death of X #1
  224. 2000 AD Prog 224-228 (Judge Dredd stories only)
  225. X-Treme X-Men (2001) #1
  226. X-Men: The Hidden Years #1
  227. X-Men Forever (2009) #s 1-2
  228. Detective Comics (1937) #594
  229. Dark Knight III: The Master Race #7
  230. Phonogram: The Immaterial Girl #s 2-6
  231. Jeff Week 2025 Infinity Comic #s 3-4
  232. X-Men Forever (2009) #s 3-5
  233. The Invincible Iron Man (2008) #s 27-28
  234. Justice League Red #3
  235. Die #1
  236. X-Men Forever (2009) #s 6-8
  237. The Invincible Iron Man (2008) #s 29-33
  238. 2000 AD Prog 2453
  239. Dark Knight III: The Master Race #s 8-9
  240. Catwoman (1993) #s 1-2
  241. The Invincible Iron Man (2008) #s 500-500.1 (Renumbering)
  242. Absolute Evil #1
  243. G.I. Joe (1982) #11
  244. G.I. Joe (2024) #11
  245. Transformers (2023) #25
  246. Detective Comics (1937) #595
  247. Green Lantern Civil Corps Special #1
  248. The Invincible Iron Man (2008) #s 501-503
  249. Final Crisis #1
  250. Green Lantern (2023) #16
  251. X-Men Forever (2009) #9
  252. Detective Comics (1937) #s 596-597
  253. Batman (1940) #s 667-669
  254. Die #s 2-4
  255. Guardians of the Galaxy (2020) #s 10-11
  256. Guardians of the Galaxy Annual (2021) #1
  257. Robin: Year One #s 2-4
  258. Final Crisis #s 2-3
  259. The Invincible Iron Man (2008) #s 504-509
  260. Die #s 5-6
  261. Detective Comics (1937) #s 598-600
  262. The Invincible Iron Man (2008) #510
  263. Final Crisis #s 4-5
  264. The Amazing Spider-Man (2025) #13
  265. Final Crisis #6
  266. Venom (2024) #250 (Renumbering/retitling of All-New Venom)
  267. Final Crisis #7
  268. The Invincible Iron Man (2008) #s 511-527
  269. Die #7

Why Are We Marching Hand In Hand

I’ve written before about the fact that the first album I bought for myself was Flood by They Might Be Giants, when I was the kind of 15-year-old who loved “Birdhouse in Your Soul” when I heard it on the radio and thought, they sound weird in a way that made my head buzz. Every 15-year-old thinks they’re weird to some degree, I think — I hope — but I was one of the 15-year-olds who thought that they were weird in that inexplicable sense of not knowing if I fit in, or who I was supposed to be. They Might Be Giants, even just from “Birdhouse in Your Soul” alone, sounded cartoonish and unrealistic and clumsy and angular, and something about all of that made me feel seen, although I didn’t think of things in those terms back then. Instead, I just wanted to hear more. So: I bought Flood.

There was something revelatory about the album, as soon as it started. The first track on the album is “Theme From Flood,” a short little tongue-in-cheek introduction that blew my mind for the most minor reason; the song ends with a literal introduction that goes, “It’s a brand new record/for 1990/They Might Be Giants’ brand new album/Flood,” and when I heard that, I remember being shocked: they were saying the year and it was the actual year I was listenng to it. It felt like magic.

Looking back — and especially from this vantage point of the digital era with its surprise drops of albums and music and a turnaround between creation and release that can be essentially instantaneous — it’s a genuinely silly reason to feel actual surprise or awe, but I really did feel both about the album being actually contemporary. I hadn’t put it together by that point, but I bought the album on vinyl and played it on my parents’ old record player, and up to that point, that had been home to music that was decades old even by that point. Even the idea of a vinyl record felt like a historical artifact in and of itself, a document of record that stood the test of time and most likely predated my very existence. That I could have bought one with my own money, and then have it identify itself as coming from that very year, felt dreamlike.

For some reason, I’ve been listening to They Might Be Giants a lot recently; it reminds me of a time when even the mundane has magic to it. I think that might have been what they were wanting to do all along, in their way.

Behind The Scenes at the Big Show

I wrote, for work — I won’t link it here because separation of church and state, and I don’t want them to check referral traffic, not that anyone does that anymore — about the kid going to PAX West this year and having what could, honestly, be described as something close to a religious experience. What I didn’t write about for work was the reaction of those I was working with to his experience.

The short version of what you need to know about his visit: it was his second convention ever, and his first video game convention. That last part’s very important, because he’s a gamer and it’s something that I worry sets him aside from a lot of people in his day-to-day life. Sure, there are people he can game with online (and he does), but I don’t get the feeling that many of his peers are into the same things he is in the same way he is, and I think sometimes it can be a little lonely for him that not everyone gets (or cares about) his favorite games, references, whatever. Within minutes of being at PAX and walking out onto the expo floor — with its massive booths promoting specific games, or tech, or merch, all of which he’s familiar with ot at least understands the architecture of — he turned to me and said, entirely seriously, “I have found my people.”

The rest of his visit just reinforced that: all the vendors he spoke to got what he was about and talked to him as an equal (ignoring me in the process, wonderfully). He got to wander around and try new tech and, in the strangest way, find new parts of his gamer identity and therefore who he is, and it just felt like this really intense, wonderful experience for him.

By the time he left (asking if he could do it again next year, asking if he could do more than one day), I was pretty emotional; I felt like I’d been able to help him have this amazing experience, and I went back to the show office feeling all kinds of verklempt. A handful of friends who were responsible for organizing the show clearly saw that I was feeling stuff, and asked what had happened and how the kid’s visit was, and I relayed a longer version of what I just wrote, feeling the sting of maybe I’m about to cry during the whole thing. I just felt full of feeling.

Cut to the next day, and one of the friends in the show office pulled me aside to say that she’d shared how much my kid loved the show to co-workers at dinner the night before, and they’d started crying. “This is actually why we do the show,” she said, “so that people can feel like he did.” Another told me, without any sarcasm, that even if I wasn’t working the show next year, they’d make sure the kid got passes to the entire thing.

I think part of what made me feel so emotional about the whole thing was realizing that the kid was having an experience like I had when I got to my first comic show — the excitement of these people get it and also feeling less isolated for liking shit that no-one around me seemed to be able to more than tolerate on my behalf. But, honestly, part of it also became how genuinely touched the people behind the scenes were that a stranger had been so thrilled and excited and fulfilled by something they’d been partially responsible for. I really like PAX West; it feels like such a kind and welcoming space, even to me as a non-gamer. After this year and all of this, that feeling only got so much bigger.

The Story of My Life

Upon discovering my current favorite “new” podcast First Thirst — in which guests talk about their first celebrity crushes, and what if anything that says about who they are today — I found myself thinking back to the various media figures kid me had a crush on, and wondering if there was a through line. (Spoilers: there’s not, I don’t think.)

What was more surprising than anything, I think, was trying to think back to childhood celebrity crushes and struggling to think of any before when I was, say, 12 or so. I can think of precisely one — Marmalade Atkins as played by Charlotte Coleman, whom I just found out died astonishingly young at age 33, which I find surprisingly sad for someone I hadn’t given any thought to in literally decades. I daren’t look back at any video of the old Marmalade Atkins TV shows for fear of utter embarrassment and shame at whatever was going on in my 7- and 8-year-old brain at the time.

At least Marmalade was flesh-and-blood, as opposed to so many of my latter “celebrity” crushes, the majority of whom weren’t just fictional, but comic book characters: I’m enough of a cliche that of course I fell for the charms of the X-Men’s Rogue, all faux Southern accent and a bashful personality matched with bombastic body and unrealistic hair that demanded the eye’s attention whenever she appeared on the page. (I was shy too, and wished I had someone like that was real, and would notice me! Ah, the embarrassing mindset of the pubescent mess I was.) My crush on Lois Lane probably started around here, too, and that one has persisted on and off for decades; those who know why, know.

I picked up my first issue of Deadline in 1989, aged 14, and almost immediately had a crush on Pippa from Wired World, a fact that Chloe — who not only looks like Pippa but holds her up as an inspiration in multiple ways — finds endlessly amusing to this day.

In amongst all of this, though, were the non-celebrity crushes, the people I ran into in real life and pined for silently. Far more than any fictional or televisual crush, these were the figures that shaped me and my desires entirely unknowing, because I never ever came out and told them how much I liked them. To do so was to risk rejection and embarrassment, as I was all too aware of at the time. (Especially as I was far from the most charming or attractive child on the playground; some things never change.) Perhaps I should have paid more attention to all the unreal crush potential in my world at the time. They would never have rejected me; they didn’t even know I existed, after all.

Cooked, etc.

I’ve been thinking about this essay since I read it last week, and turning over and over in my head quite why it feels so dystopian. It’s not that the overall subject matter isn’t dystopian by itself — my first reaction to hearing that Charlie Kirk had been shot, even before it emerged that he’d been killed, was a sense of dread that basically went along the lines of, oh fuck, no matter who is responsible, the Administration and all its supporters are definitely going to blame this on trans folk, and oh fucking look I was right. (One of the few things I like about that NY Post link I just posted is that it misspells “Biden” in the URL.)

(I wasn’t psychic, by the way, when I thought that they were going to blame the trans community; I was just thinking about the fact that, just a week before, the Trump administration was reportedly looking at how to take guns away from trans people and this felt like too obvious of a set up, in multiple senses of the term.) (That attempt to take guns away from people led to the unexpected moment where the NRA accidentally ended up on the right side of history for once.)

That essay, though. For those who don’t have the stomach to read it, the takeaway is that all signs point to the fact that Charlie Kirk’s shooter wasn’t necessarily politically motivated as much as they were… internet troll motivated…? “As easy as it is to point to these costumes as proof that Robinson was a far-right extremist radicalized online by 4chan posts, it’s just as likely that he was a teenage boy dressing up as memes he saw online. This kind of content is basically the water young people swim in now,” it reads at one point. “It’s also possible Robinson genuinely believes in antifascist principles. But his alleged use of random internet brainrot is notable.”

It ends, “We have let school shootings in America persist long enough that we have created a culture where kids grow up seeing them as a path towards fame and glory. Another consequence of how thoroughly the internet has flattened pop culture, politics, and real life violence. All of it now is just another meme you can participate in to go viral. Made even more confusing by a new nihilistic accelerationist movement that delights in muddying the waters for older people who still adhere to a traditional political spectrum. Many young extremists now believe in a much simpler binary: Order and chaos. And if you are spending any time at all trying to derive meaning from violent acts like this then you are, by definition, their enemy.”

The reason it sticks in my head is… I can’t find a counterargument that I really believe in. I think this is the nihilistic worldview that kids (a holdall term I’ll use to include, honestly, anyone through their mid-20s if not their 30s) are immersed in and using as a primary lens through which to look at the world. I joke, at times, about how frustrated I find the “roast” and “troll” cultures to be in general online, but the truth is, it’s not “online” anymore; it’s everywhere. The last election proved it, and this last week proved it even more.

I’m not sure I know where we go from here, even beyond surviving the fascistic reign of the next few years. (Do you remember that Trump only took office again less than a year ago?) There are times I’m not sure I necessarily want to know, either.