I do know, though, that a lot of us point and laugh. The strategy of my aunts and mother is now my default reaction when a fifteen-year-old on Instagram calls me a cunt or when a grown-up reporter writes something about my tits. Just keep pointing and laughing, rolling your eyes with the hope that someone will finally notice that this is not very funny. Pretending these offenses roll off of our backs is strategic—don’t give them the fucking satisfaction—but it isn’t the truth. You lose something along the way. Mocking the men who hurt us—as mockable as they are—starts to feel like acquiescing to the most condescending of catcalls, You look better when you smile. Because even subversive sarcasm adds a cool-girl nonchalance, an updated, sharper version of the expectation that women be forever pleasant, even as we’re eating shit. This sort of posturing is a performance that requires strength I do not have anymore. Rolling with the punches and giving as good as we’re getting requires that we subsume our pain under a veneer of I don’t give a shit. This inability to be vulnerable—the unwillingness to be victims, even if we are—doesn’t protect us, it just covers up the wreckage. But no one wants to listen to our sad stories unless they are smoothed over with a joke or nice melody. And even then, not always. No one wants to hear a woman talking or writing about pain in a way that suggests that it doesn’t end. Without a pat solution, silver lining, or happy ending we’re just complainers—downers who don’t realize how good we actually have it.

From Sex Object by Jessica Valenti.

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