San Diego Syndrome

Have you ever seen Hearts of Darkness, about the filming of Apocalypse Now? In it, one of the actors talks about the experience of filming, and how deeply life-altering it was for all of them. Obviously this is a very extreme and prolonged example of the kind of experience we’re talking about, but back when I saw it, it was the first time that I’d ever heard someone talk about this kind of emotional upheaval outside of a therapeutic context. It opened my eyes to what is possible when people come together and, for a short period of time, agree to live in a reality that is completely saturated with something outside of their daily lives.

– From here.

That comes from a piece about San Diego Comic-Con, which officially opens tonight. It doesn’t directly connect the making of Apocalypse Now with the mindset of SDCC in terms of “the horror… the horror,” but that’s a connection that I admit to tenuously making in the past. Every single SDCC I’ve covered as a journalist has had that kind of weird disassociation with reality at some point along the way – A sense of “I know this isn’t what life is really like, but it’s all I can remember now, and that’s not a good thing” – that, even when you know it’s happening, is astonishingly unsettling. It’s like comic convention as Stockholm Syndrome or something.

When people ask me whether or not I miss going to San Diego, that always comes to mind. I think I do… but is that really me thinking it…?

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