We’ve already seen, at somewhat considerable length, the way in which Moffat is very focused on changing and improving the stories we tell about women. He is an ideologically feminist writer, a point that can trivially be demonstrated by trawling interview quotes. His feminism may be imperfect (in fact it is imperfect, in ways that are not entirely different from the ways that William Moulton Marston’s feminism is imperfect, but as anyone who has read the book where I talk about that will know, feminism is an ongoing process of making new mistakes, and Moffat accomplishes that with aplomb), but anyone who attempts to argue that Moffat is not consciously attempting to write feminist television is simply and factually incorrect.